THE FAKE NEWS



Screwed: What they said ...

"MacDonald has absolutely NO talent and is simply NOT funny. Unfortunately, someone saw fit to give him ANOTHER film."

-- Cinemaphile, Dark Horizons


"Screwed is right. That's what happens to anyone who actually shells out hard-earned money for this piece of garbage."

-- E! Online


"Norm Macdonald and Dave Chappelle...much-too-cool cookies...no apparent knack for broad physical comedy."

-- Stephen Holden, The New York Times


"...doesn't even have the decency to be horrifyingly funny..."

-- Maitland McDonagh, TV Guide


"Avoid this like the plague."

-- Eric Lurio, Greenwich Village Gazette


"Screwed nearly put me to sleep. Literally."

-- Chuck Schwartz, Cranky Critic


"Macdonald simply seems uncomfortable."

-- Patrick Rooney, City Search


"Norm Macdonald, however sublimely hilarious he might be as a standup comic, is no actor...Macdonald should simply stay out of movies, for his own sake."

-- Michael Atkinson , Mr. Showbiz


"MacDonald...again shows no visible talent...He's simply not that funny. And neither is 'Screwed'."

-- Chuck O'Leary, Tribune-Review of West Pennsylvania


"...a film so utterly easy to insult...The antics in 'Screwed' are childish...after watching it, you feel screwed six ways..."

-- James Brundage, Filmcritic.com


"With Screwed, the title says it all...You get the feeling that most of the people involved in this tiresome flick owed someone a favor."

-- Philip Wuntch, The Dallas Morning News


"The only smart thing about "Screwed" was Universal’s decision not to screen the picture in advance for the news media so as to avoid scaldingng-day reviews."

-- Kevin Thomas, The Los Angeles Times


"The comic possibilties are endless. Or does it just seem as it will never end?...Norm does not do scream well."

-- Alan Kellogg, The Edmonton Journal


"So is it funny? Yes...Expect to have a good time."

-- Kerry Douglas Dye, LeisureSuit.net


"MacDonald plays himself — as usual...one can't help thinking it was conceived during a 14-martini lunch."

-- Nevin Martell, Reel.com


"...provides only a few random laughs...some stretches are so painfully unfunny, ticket buyers may actually find themselves feeling sorry for the folks onscreen."

-- Joe Leydon, Variety


"When Macdonald is the best you can do, God is surely trying to tell you something..."

-- Ron Weiskind, Pittsburgh Post-Gazette


"Norm Macdonald is a talented comedian with an unique charisma...seems like he is acting against his will in every scene."

-- Tyler McLeod, Calgary Sun


"Somebody, please! Give Macdonald a full-time cable talk show, and put us out of our misery."

-- Bob Thompson, Toronto Sun


"Screwed is an insane comedy -- not a great one, but a good one...You'll find nothing funnier or more original..."

-- Joe Baltake, Sacramento Bee


"...gives stupid, vulgar comedy a bad name...may be some kind of a first for a comedy. It doesn't have a single honest laugh in it."

-- Bob Graham, San Francisco Chronicle


"...laugh out loud, fall out of your seat hilarious comedy...Norm MacDonald...the Funniest Man Alive."

-- Norm K, Norm K at the Movies


"The Norm we know and love...would have told his employer where to stick her job, but then there would have been no 'Screwed'--which would have been best for all concerned. "

-- Boxoffice Magazine, Mike Kerrigan


"Macdonald...made a name for himself on Saturday Night Live mocking mediocrities such as this film."

-- Film.com, Tom Keogh


"Unless someone is sitting next to you whispering headlines from The Onion in your ear, you will not laugh more than twice."

-- Katrina Onstad, National Post


"Norm Macdonald...still can't act..."

-- Bill DeLapp, Syracuse New Times


"'Screwed'...coming soon to a video store near you."

-- Hannah Brown, The New York Post


"The word 'crass' does not begin to describe this laughless black comedy, which surely merits a place on every critic's 10-worst list..."

-- John Hartl, Seattle Times


"Macdonald would seem to have film potential ...but here he gives a performance that defines 'washed-up Canadian comic.' Blame the writers."

-- Scott Kathan, Boston Phoenix


"If there is any doubt that bad things can happen to good people, one need look no further than the appropriately named 'Screwed.'"

-- John Petrakis, Las Vegas Review Journal


"Norm Macdonald...comes off like a zombie impersonating a game-show host..."

-- Owen Gleiberman, Entertainment Weekly

 Dark Horizons

[ RATING: Negative ]

Blues Brothers was a good movie. The first Wayne's World was fun. Beyond those two, Saturday Night Live is responsible for spawning some of the worst films ever made: It's Pat, Coneheads, Night at the Roxbury, Stuart Saves His Family, and especially Superstar! But the icy hand of SNL also led to a plethora of horrible non-SNL films featuring its alumni: Anything by Adam Sandler, Opportunity Knocks, Black Sheep, and of course Dirty Work, among many others. This last entry, starring Norm MacDonald, confirmed what we all already knew. MacDonald has absolutely NO talent and is simply NOT funny. Unfortunately, someone saw fit to give him ANOTHER film.

That brings us to Screwed. It's never a good sign when a comedy is only 80 minutes long. It's also never a good sign when Norm MacDonald is the star. Next to this guy, the non-talent that is Adam Sandler looks like Kevin Spacey. MacDonald has absolutely no comic timing, his has only one facial expression, and has no ability to even deliver a line without sounding like he's reading it off an SNL cue card.

The rest of the cast is not much better. Dave Chappelle, when surrounded by talented actors, can be amusing. But in this case, relegated to an awful cast, everything just falls flat. Elaine Stritch, as the mean old lady for whom MacDonald works, gives Norm some serious competition for the worst acting talent in the film. In a small supporting role, Daniel Benzali portrays a cop on the trail of the kidnappers, a parody of his character on TV's Murder One, which is funny for about a minute. Sherman Helmsley is in full Old Navy mode with his pathetic acting attempt as well.

The plot is ludicrous, the characters one-dimensional and stupid, and the acting horrendous. That's about all I have to say about this film. We have an early contender for worst film of 2000. SNL could be on streak now, having clinched that honor last year with Superstar! Sure, it's not an SNL film, but I hold them responsible for giving Norm MacDonald a career. Unfortunately, there seems to be no end to their torture as this fall, Paramount unleashes yet another one, this time featuring Tim Meadows as "The Ladies' Man." That will probably be the only film this year that gives Screwed a real run for its money for worst film honors.
-- Cinemaphile

 E! Online

[ RATING: F ]

Screwed is right. That's what happens to anyone who actually shells out hard-earned money for this piece of garbage. Macdonald, who with Dirty Work has already soiled his résumé, plays a household servant who tries to squeeze a few million dollars from his bitchy boss. Partner in crime David Chappelle does his best to muster up a few laughs but comes up broke. And why the classy Daniel Benzali enters the fray here is a mystery, but one thing remains crystal clear: Don't check this one out for any reason--unless, of course, you like being, well, screwed.

 The New York Times

'Screwed': Duck Soup to Go? Horse Feathers!

[ RATING: Negative ]

A knack for conjuring fun in a laughter-free vacuum may be the ultimate test of a comic performer. And in "Screwed," a confusedly misconceived hybrid of interracial buddy comedy and imitation Marx Brothers farce, Danny DeVito is the only cast member who succeeds in making something out of the movie's nothing of a screenplay. As Grover Cleaver, a bushy-haired undertaker who gets drawn into a kidnapping scheme, Mr. DeVito huffs and mugs and waddles through his role like a happy mad scientist whose maniacally gleaming eyes suggest he could be imagining a chorus line of lab rats doing a striptease.

When we first encounter Grover, he is hard at work in a morgue, having just extracted a pet rock from a dead body. Grover proudly displays an exhibit of other items he has removed from corpses, including a television clicker and "a perfectly good comb." As a sideline, this character, who is addicted to reruns of "Hawaii Five-O," during which he proudly recites every line of dialogue a second ahead of time, is vice president of the Jack Lord fan club.

Just how and why Grover is lured into this kidnapping plot is too boring to go into. Suffice it to say, he is offered a large sum of money to find a matching corpse on which another character's identification will be planted. The body Grover selects to impersonate a much younger and healthier man happens to be that of an ancient white-bearded dwarf. In his every grunt, eyebrow twitch and stumbling step, Mr. DeVito conveys the frantic sense of the absurd that is missing from the rest of this hectic mess of film.

Next to Mr. DeVito's Grover, the other performers seem hopelessly earthbound. Norm Macdonald (who delivered the "fake news" on "Saturday Night Live") and Dave Chappelle, the comics who have to carry the movie, are much-too-cool cookies who have little buddy-buddy chemistry and no apparent knack for broad physical comedy.

Mr. Macdonald's character, Willard Fillmore, is an oppressed servant of Virginia Crock (Elaine Stritch), a tyrannical baking tycoon and flinty tightwad whose monumental nastiness gives new dimensions to the term "queen of mean." She has a vicious, contrary little dog named Muffin that only behaves nicely when commanded to attack.

Mr. Chappelle is Willard's best friend, Rusty, the proprietor of a fast food emporium in Pittsburgh. Before the movie's over, their scheme to kidnap Muffin and ransom the yapping little monster for a million dollars takes a dozen zany hairpin turns.

The film was written and directed by Scott Alexander and Larry Karaszewski, the team whose innovative screenplays include "Ed Wood," "The People vs. Larry Flynt" and "Man on the Moon." It's hard to believe that the weak screenplay for this film, with its stale double-entendres and would-be hip remarks like, "He talks like a black man named Chip," was written by the same two people.

Mr. Alexander and Mr. Karaszewski are working on a movie biography of the Marx Brothers. If this film is a dry run for that project, they clearly have their work cut out for them.
-- Stephen Holden

 TV Guide

[ RATING: 1 out of 5 stars ]

As bad as the title, and much longer. Willard Fillmore (Norm MacDonald) has the misfortune to work for slave driver Miss Crock (Elaine Stritch, in what must be the low point of an estimable career on stage and screen), the stingiest pastry billionaire in Pittsburgh. She won't even buy Willard a new uniform, and gives him one of her own mince pies for Christmas. Worse still, Willard overhears Miss Crock and her trusted business associate Chip Oswald (Sherman Hemsley) planning to fire him. So Willard and his moron pal Rusty Hayes (Dave Chapelle) cook up a plan to kidnap Miss Crock's beloved dog, Muffin, and hold him for ransom. The plan is, of course, an unmitigated disaster. Muffin escapes and runs home. Miss Crock assumes Willard has been kidnapped and, naturally, has no intention of ransoming him. Gravel-voiced detective Dewey (Daniel Benzali) couldn't find the right tree to bark up if it fell on him, and Willard and Hayes' attempts to salvage the ever-worsening situation are predictably ineffectual, especially after Hawaii Five-0-obssessed morgue attendant Grover Cleaver (Danny DeVito) is added to the mix. Written and directed by Scott Alexander and Larry Karaszewski, who scripted ED WOOD and THE PEOPLE VS. LARRY FLYNT, this idiotic mess of a movie is a discredit to all involved — it doesn't even have the decency to be horrifyingly funny, unless you're tickled by the fact that the main characters have names sounding like dead presidents, or by such sights as MacDonald's hairy back or Hemsley in an itsy-bitsy, teeny-weeny swimsuit.
-- Maitland McDonagh

 Greenwich Village Gazette

[ RATING: 0.5 out of 5 stars ]

Let's say you're a movie executive. Two of the top writers around come into your office and pitch the following idea: An oppressed butler who learns that he's going to get fired accidentally kidnaps himself instead of his boss's dog. Hilarity ensues.

If you were the sensible people that we know you are [or else you wouldn't be reading this], you would throw these people out on their ears despite their sterling record. But sadly, in the real life case we're going to be discussing, this didn't happen.

Scott Alexander and Larry Karaszewski recently wrote the brilliant "Man on the Moon" and "The People vs. Larry Flynt" and one would expect that their adult stuff would be very good indeed. So, the people at Universal expected a really good film, especially with the killer cast that they managed to get ahold of.

They didn't get it. Not by a long shot.

Willard Fillmore(Norm Macdonald) is the aforementioned butler. He toils day and night keeping the home of the evil Miss Crock(Elaine Stritch) neat and tidy without even a smidgen of thanks, or even a new suit. Things go from bad to worse as on Christmas night, when he gets a mince pie while her business associate Chip(Sherman Hemsley) gets fifty grand in cash, he loses it and is forced to spend the night in the doghouse...literally. Then he overhears Chip suggest that Ms. Crock fire him.

Willard complains to his pal Rusty(David Chappelle) and the latter comes up with a plan to kidnap Miss C.'s cute-but-nasty dog. Here we get a bit on the gross side, gut it's just that and not particularly funny. Then the next day, poor Willard finds that the dog has escaped and he's now thought to be the victim of a kidnapping, which suits Rusty just fine.

Somehow, Danny DeVito gets involved as Grover, and things get complicated very quickly as an exasperated detective(Daniel Benzali) gets deeper into the case. Soon the cops are almost as sick of this thing as we are. It's really amazing how quickly we lose out sympathy for Willard, and that's death to any film. Avoid this like the plague.
--Eric Lurio

 Cranky Critic

[ RATING: $1.00 ]

IN SHORT: Like a 90 minute long bad Saturday Night Live skit

Poor Norm MacDonald. Fired from Saturday Night Live in mid-season when the West Coast suit-in-charge decided that he "wasn't funny." Making teevee commercials. Waiting for that perfect writing team...which Scott Alexander & Larry Karaszewski might have been if they had stuck to serious stuff like Ed Wood, People vs. Larry Flynt and Man on the Moon. Instead, they choose to make their directorial roots by strip-mining the lackadaisical comedy motherload they've used for Problem Child and Problem Child 2 and written for video (but released on screen) That Darn Cat. Those flicks weren't funny, and neither is this one. The only folk getting screwed are those that are paying hard cash.

To be honest, that doesn't include me. The movie studio did not screen this flick for the press, but there was a way for me to get in to see this flick a day early, at ten-thirty in the morning in a private screening room, and I took it. We know from past experience that these are not the best circumstances to watch comedy but, hey, I thought MacDonald was funny on SNL and Danny DeVito can make rust shine. Half a gallon of caffeine and I was ready to rock.

Screwed nearly put me to sleep. Literally. The story of Willard Fillmore (MacDonald), manservant to the infinitely rich, and just as nasty, cookie baking old coot who rewards him at Christmas with a pair of promotional cufflinks and an extra heaping of verbal abuse. Norm decides he wants cash, and with best bud (Dave Chappelle), conspires to kidnap the old witch's beloved dog for a million dollars ransom. They are inept, to say the least. The dog takes it on the chin worse than in a Farrelly Bros. movie and still comes out on top. That means Norm could stand accused . . . of kidnaping himself. Knowing he can't be in two places at the same time, like in the witness chair and in the defendant's docket, Norm and Dave bribe pasty faced coroner Grover Cleaver (DeVito) to fake a dead body for him.

I kinda liked the play on the Presidential names as a gag. Too bad it's so underdeveloped. As for the rest, there are perhaps half a dozen gags in this thing that didn't make it into the trailer or television commercial. A pair or three are genuinely funny but, even with the I-Wish-I-Was-fourteen-So-This-Would-All-Seem-Funny head screwed in place, almost all of Screwed was on a level fit to cure insomniacs of their problem. The biggest problem for me, and this is after I shut down the "it doesn't have to make sense to be funny" sensors in the back of the cerebellum, was that jokes involving major physical injury were forgotten at the snip of a pair of editing shears. You watch, if you're silly enough to pay for this dud, what the dog does to Norm's hand. Then watch what happens in the next scene. We'll see more of this "do the joke, forget that you did the joke in the next scene" next week, in a different flick.

On average, a first run movie ticket will run you Eight Bucks. Were Cranky able to set his own price to Screwed, he would have paid...$1.00

Screwed would have offered more comic joys if the competing film Whipped had been released as scheduled, in direct competition. Think of it: Whipped and Screwed in the same week. It child have been a comic reporting field day. As is, it's just zzzzzzzzzzzzzzzzzz.
-- Chuck Schwartz

 City Search

[ RATING: 1.5 out of 5 stars ]

"Screwed," starring Norm Macdonald and Dave Chappelle, has about as many laughs as it has directors. Scott Alexander and Larry Karaszewski (screenwriters for "The People vs. Larry Flynt" and "Man on the Moon") co-directed this zany comedy about a bungled kidnapping plot. Macdonald (Willard Fillmore) and Chappelle (Rusty Hayes) attempt to kidnap a crotchety old woman's adored puppy. When they fail, Ms. Crock (veteran stage actress Elaine Stritch) thinks the kidnappers took Fillmore. A madcap montage of failed sight gags and jokes ensues.

Danny DeVito (Grover Cleaver) is wasted as a slow-witted mortician enlisted to help them get away with the ransom. A few scenes are funny, but this so-called comedy has fewer laughs overall than most dramas. Chappelle is somewhat amusing in a vacuum of humorless gags and riffs; Macdonald simply seems uncomfortable. The movie is set in Pittsburgh, but there isn't one genuine western Pennsylvania accent, only mangled attempts at a Steel City dialect. Most scenes are so slapdash they feel like they were shot in one take. You may think about renting the video a month from now, but don't do it, unless you want to get—you guessed it—"Screwed."
-- Patrick Rooney

 Mr. Showbiz

[ RATING: 14 out of 100 ]

Probably the first film Scott Alexander and Larry Karaszewski ever wrote together — in the fourth grade, say — Screwed is virtually unrecognizable as the work of the men who penned Ed Wood, The People vs. Larry Flynt and Man on the Moon. It plays more like a first draft the Farrelly Brothers might use to line a birdcage. (There's the requisite assortment of jokes about scat and semi-naked old ladies, and even a man-vs.-lapdog wrestling match.) But the dim-witted, uninspired script is only half the story — next to nothing goes right in Screwed.

Alexander and Karaszewski have used this barking dog to make their directing debut, and it just may end up being their swan song to boot. Star Norm Macdonald, however sublimely hilarious he might be as a standup comic, is no actor. The efforts he makes here to laugh, act surprised or panicked, or provide expository dialogue, are embarrassingly inept. Fact is, Macdonald's whole delivery is predicated on an ironic nonchalance which by itself kills any chance that we might find him convincing playing a character. (Only Bill Murray has ever able to pull that sort of thing off.) Supporting players David Chappelle, Elaine Stritch, and Daniel Benzali behave as if they have no idea what their next line is, or why they're in the movie at all.

You can tell it was the fourth grade, because Alexander and Karaszewski thought it was amusing to misname their characters after dead Presidents: Willard Fillmore, Rusty Hayes, Grover Cleaver, etc. Fillmore (Macdonald) is a beleaguered butler/chauffeur for bitchy Pittsburgh millionairess Mrs. Crock (Stritch), who has made his life hell for 15 years. After she gives him a minced meat pie for Christmas, Fillmore decides with his chicken-shack buddy Hayes (Chappelle) to kidnap the pampered family dog and ransom it for $1 million. Naturally, the contrived dominoes start falling after the dog escapes and returns home and everyone gets the idea that it's Fillmore himself who's been kidnapped.

The ways that Alexander and Karaszewski come up with to keep the plot ka-thunking along are beyond asinine. The most basic facts about police procedure and social reality are ignored, and an already laughless kidnapping comedy becomes especially hellish thereby. Pivotal set-pieces aren't even shot professionally — the kidnapping of the dog and a later park mugging are so roughly pieced together from disparate shots you could mistake the result for a Kuleshov montage. Revisiting his Batman Returns Penguin grunginess, Danny DeVito puts in an appearance as a degenerate morgue attendant and Jack Lord fan, but even he can't save his scenes from going off like rotten eggs.

As much as anyone could argue that Macdonald fails to adapt to the narrative demands of film, the real question lies at Hollywood's door: Why do brilliantly funny actors and actresses almost always get stuck in movies that aren't a tenth as witty as they are in person? From Rose McGowan to Denis Leary, it's an epidemic of talent pissed away on thoughtless, homogenized tosh — Screwed is merely this season's most amateurish example. Macdonald should simply stay out of movies, for his own sake.
-- Michael Atkinson

 Tribune-Review of West Pennsylvania

'Screwed' a joke for all the wrong reasons

[ RATING: 1.5 out of 5 stars ]

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Even though it was all-too-obviously filmed in Vancouver, the new comedy "Screwed" takes place in Pittsburgh, and was even called "Pittsburgh" at one point during its production.

Just be grateful Universal Pictures decided to change its name - Pittsburgh has enough problems.

Even so, "Screwed" is slightly more tolerable than this week's other major releases, "Battlefield Earth" and "Center Stage" - unlike those films, at least "Screwed" seems to know it's bad.

Norm MacDonald ("Dirty Work") stars as Willard Fillmore, the long-suffering chauffeur of a mean and miserly, but very wealthy, old bakery owner named Miss Crock (Elaine Stritch).

Willard's father worked under Miss Crock in the same capacity for 30 years, and told his son to "stay with Miss Crock, and you'll get ahead." But after 15 years of service, Willard has nothing but a worn-out uniform to show for it.

Sick of his employer's cheap ways, a vengeful Willard devises a scheme to kidnap Crock's beloved little dog and ransom it for $1 million. However, when Willard and his buddy Rusty (Dave Chappelle) steal the pooch, the plan quickly backfires.

What follows is a game of musical kidnappings involving Willard and Rusty, a scruffy mortician (Danny DeVito) and Miss Crock's lawyer (Sherman Hemsley), while a detective (Daniel Benzali) investigates.

Needless to say, this is another prime example of the idiot plot, where everything would be resolved within five minutes if every character wasn't a total dolt.

"Screwed" marks the directorial debut of writing partners Scott Alexander and Larry Karaszewski, who wrote two schlocky "Problem Child" comedies, before graduating to more sophisticated fare such as "Ed Wood," "The People Vs. Larry Flynt" and "Man on the Moon."

Unfortunately, "Screwed" is a lowbrow return to their "Problem Child" days, and exhibits the chaotic feel of being sloppily thrown together.

Veteran stage actress Elaine Stritch tries valiantly, and delivers the closest thing to a performance despite a demeaning role. After appearing in the laughless "Drowning Mona," you have to wonder what DeVito is doing appearing in his second stinker within three months.

DeVito has proved himself a capable actor ("Tin Men," "Living Out Loud"), a skilled director ("The War of the Roses," "Hoffa," "Matilda") and a first-rate producer ("Pulp Fiction," "Get Shorty," "Erin Brockovich"). He's definitely become a heavy hitter in the film industry, so you have to wonder why he's tarnishing his reputation by appearing in dreck such as "Screwed.

MacDonald, on the other hand, again shows no visible talent, and certainly doesn't merit being a Hollywood leading man. He's simply not that funny. And neither is "Screwed."
-- Chuck O'Leary

 Filmcritic.com

[ RATING: 1.5 out of 5 stars ]

Rarely does a film like Screwed come across my desk: a film so utterly easy to insult, from its title on in, that writing the review is an absolute piece of cake. Somehow, the producers of this film chose the title Screwed over such options as Ballbusted, Foolproof, and Pittsburgh, probably hoping to attract a teenage crowd with its would-been-risque-if-not-for-the-likes-of-S.F.W. title and its screwball Norm-MacDonald-needs-better-work antics. Sadly, this marketing technique will probably succeed and result in, well, a lot of people feeling screwed.

Screwed concerns a butler (Norm MacDonald) and a chicken wing vendor (David Chapelle) who team up to try to, well, screw a bitter old hag out of five million dollars. Needless to say, the plan goes south, and the two have to run all over Pittsburgh (which is obviously not really Pittsburgh) to get away with their perfect crime. Norm sleeps with some girl in a bit part that should have been bigger, David convinces good old Norm to fake his death with the help of a mortician (Danny DeVito), and all the while we watch the hag bitch and gripe, not really caring

The antics in Screwed are childish, the humor pandering to a sub-human chord that will resonate with no one with an IQ over 80. Norm MacDonald once again shows that the pinnacle of his career will most likely be doing the Weekend Update on SNL (a shtick which has been stolen and improved upon by "The Daily Show" on Comedy Central, a job Norm MacDonald should campaign for vigorously). David Chapelle shows that his comedic talents lie in stand up and not physical antics. The pleasure that Screwed offers is in the supporting role of DeVito, which is pretty much only a pleasure because watching DeVito in such a darkly comic role is so very different from the average part you see him pigeonholed into.

Screwed is the perfect title for this movie if only because, after watching it, you feel screwed six ways from Sunday by virtue of how absolutely wretched this pitiful excuse for a film is. Writer-directors Scott Alexander and Larry Karazewski, the writing team behind Milos Forman's last two flicks, Man on the Moon and The People vs. Larry Flynt, should probably stick to writing other peoples' movies. Behind the camera, they prove that directing is not their strong suit, and that the input that others add to the script proves invaluable to the end product. Letting them direct, it seems, just gets a lot of people screwed.
-- James Brundage

 The Dallas Morning News

'Screwed': Just add an 'Up' to the title

[ RATING: D- ]

With Screwed, the title says it all.

As the paying customer, you will find yourself besieged with stale
humor, tasteless jokes and predictable twists. This is one mirthless
comedy.

Screwed starts off as a Scrooge update. It's Christmas Eve in
Pittsburgh, and cupcake mogul Virginia Crock (Elaine Stritch) is
making life miserable for everyone. No one suffers more than
second-generation chauffeur Willard Fillmore (Norm MacDonald), who
also serves as butler and dogwalker. The canine is Muffin, a yippy
Pomeranian who barks whenever hapless Willard looks at him.

Willard and hot-dog vendor Rusty (Dave Chappelle) stupidly devise a
plan to dog-nap Muffin and demand ransom. Everything backfires, with
the audience always miles ahead of the bumbling criminal wannabees.

You get the feeling that most of the people involved in this tiresome
flick owed someone a favor. Danny DeVito shows up as a mad mortician
who worships Hawaii Five-O and is vice president of the Jack Lord Fan
Club. It might have seemed funny on paper, but, like everything else
in Screwed, it's belabored on screen.

Directors/screenwriters Scott Alexander and Larry Karaszewski, who
co-wrote Ed Wood and The People Vs. Larry Flynt, completely strike
out this time, with a movie that even the legendarily shameless Mr.
Wood would have shelved. (Speaking of which, the "new" film's
copyright is 1997, suggesting that it, understandably, has set on the
shelf for a bit.)

Mr. MacDonald performs with his patented comic innocence, while Mr.
Chappelle fails to make desperation funny. Ms. Stritch is pro enough
to wring some laughs from the clichéd role of the rich harridan.
Maybe "laughs" is too optimistic; the best response she gets is a
couple of half-smiles. But considering the rest of Screwed,
half-smiles count as jewels.

-- Philip Wuntch

 The Los Angeles Times

Sledgehammer Humor and Numskulls

[ RATING: Negative ]

"Screwed": That’s exactly what you’re likely to feel if you try to watch this relentlessly unfunny loser, a candidate for the short list of the year’s worst major studio release.

Pros like Elaine Stritch and Danny DeVito are always fun, but even their presence can’t make a dent in this disaster.

Amazingly enough, it was written by Scott Alexander and Larry Karaszewski, who have "The People vs. Larry Flynt" and "Man on the Moon" to their credit--and, alas, chose to make their directorial debut with this picture.

Their premise is that in these prosperous times a chauffeur-houseman (Norm Macdonald) would stick it out 15 years working for an imperious, cranky Pittsburgh cookie tycoon, Miss Crock (Stritch), who’s such a skinflint that Macdonald’s Willard is still wearing the same uniform he inherited from his late father along with the job. At last reaching the end of his tether, Willard decides to snatch his employer’s cherished little dog and hold it for a huge ransom.

Naturally, the scheme misfires big time, with Willard and his pal Rusty (Dave Chappelle) getting into increasingly bigger trouble.

Now Willard and Rusty are none too bright, to put it kindly, and while many a comedy has turned upon the antics of numskulls, these two are colorless and charmless and simply too stupid and dull to care about. Dummies have to seem somehow endearing if we’re to be concerned with what happens to them, but this pair is hopeless.

Sherman Hemsley is Miss Crock’s top aide and DeVito is a weirdo morgue worker who also happens to be an officer of the Jack Lord Fan Club. Daniel Benzali is the police detective trying to sort everything out.

Alexander and Karaszewski bring a sledgehammer touch to their script, which does it no favors. The only smart thing about "Screwed" was Universal’s decision not to screen the picture in advance for the news media so as to avoid scaldingng-day reviews.
--
Kevin Thomas

 The Edmonton Journal

Pooch-nap farce merits permanent spot in the doghouse

Are comic possibilities endless, or is it simply that this film won't end?

[ RATING: 2 out of 5 stars ]

Apparently Screwed has languished on the shelf for a couple of years.

Alas, like a no-name tin of Vienna sausages packed in that weird gummy glop, time has not improved the quality of a fundamentally unredeemable product.

Willard (geddit?) Fillmore (Norm Macdonald) is, like his deceased father before him, the long-suffering butler of the nasty Miss (geddit?) Crock (Elaine Stritch), founder and CEO of a Pittsburgh pastry company bearing her name and image -- albeit a nice old granny image.

Crock is no sweet old pie maker. At Christmas, she gives her sycophantic 2-I-C Chip Oswald (Sherman Hemsley) his favourite gift -- $50,000 in cash -- while Willard is handed a Crock pie and a pair of promotional cufflinks. When he has the temerity to complain, he's banished to the literal, snow-covered doghouse of Crock's beloved and equally obnoxious pooch Muffin, only to overhear he'll be fired on Boxing Day.

Drowning his sorrows at his pal Rusty's (Dave Chappelle) dead-end chicken joint, the two cook up a plan to kidnap the dog and collect a $1-million ransom.

Needless to say, things don't work out as planned,ng up the well-trod turf of the multiple bungled kidnapping farce. The comic possibilties are endless. Or does it just seem as it will never end?

Along the way, a creepy mortician (Danny DeVito as Grover, geddit? Cleaver) becomes involved, while Detective Tom Dewey (Daniel Benzali) is enlisted to crack the case(s).

There are a couple of laugh-out-loud sight gags (and many terrible ones) here, although we're talking about the school of being-whacked-over-the-head-with-a-bedpan sort of stuff. But the writing is almost unremittingly stinko. Farce -- including the standard dinner theatre Feydeau variety -- takes considerable skill, craft, timing, nuance, etc., and this baby is nowhere close. I do like the idea of shooting locale Vancouver having to pose as Pittsburgh in pursuit of the offshore Yankee dollar. That's funny.

There are long moments of sheer embarrassment for the impressive cast of comic veterans, who must have experienced some bizarre form of mass hallucination when they read the script. And you've got to wonder about the direction, while we're at it. Scott Alexander and Larry Karaszewski, who also bear responsibility for the screenwriting, have low-key, deadpan ace Macdonald screaming through half the scenes. Norm does not do scream well.

One thing is for certain. Here is a movie that fully lives up to its title -- if you paid to get in.
-- Alan Kellogg

 LeisureSuit.net

[ RATING: Positive ]

Lest we forget that--before penning such high-minded bio pics as Ed Wood, The People vs. Larry Flynt and Man on the Moon--Scott Alexander and Larry Karaszewski were the brains behind two Problem Child pictures, along comes Screwed, a goofy black-ish comedy that brings the boys back to their farcical roots.

And this time they also direct. Alexander/Karaszewski veteran Norm Macdonald plays Willie, a butler for Pittsburgh baked goods tycoon (and all around bitch) Ms. Crocker . . . er, I mean, Ms. Crock (Elaine Stritch). One day, tired of taking her shit, and privy to the knowledge that he's about to be fired, he hatches a plot with his buddy Rusty (Dave Chappelle) to kidnap the old lady's dog and hold it for a million dollars ransom.

When the dog gets away from them and returns home, Ms. Crock and the police misinterpret the ransom note to mean that butler Willie was kidnapped. Willie and Rusty adapt to the change in plans and now try to get Ms. Crock to pay to get Willie back, something the stingy old bat is reluctant to do. Naturally, complications ensue, Danny DeVito and Sherman Hemsley enter the picture, guns are fired, more kidnappings occur . . . you can imagine.

So is it funny? Yes. Not always uproariously so, but Willie and Rusty are sufficiently inept that their hijinks become ever more amusing--Rusty tends to whack people over the head with the nearest lamp whenever he gets nervous, and Willie gets a chance to comedically shine when he gets in a cage and pretends to be held captive by tormenters who throw dog food at him and urinate on him.

This is all familiar ground of course. The dog-related slapstick is straight out of the raunchier and funnier There's Something About Mary, and all the kidnapping stuff echoes the more complicated and funnier Danny DeVito pic Ruthless People. But the film is amiable enough and clever enough for a rainy Saturday, and more than enough so for cable or video. Expect to have a good time.

[One oddity worth noting: all the kidnappers in this film are named after former Presidents, and the side characters, with the exception--I think--of Ms. Crock, seem to take their names from presidential wives, challengers, or assassins, and in a way that somewhat reflects their role in the narrative. Why? No idea. Just thought I'd mention it.]
-- Kerry Douglas Dye

 Reel.com

[ RATING: 0.5 out of 4 stars ]

Since getting booted from Saturday Night Live's "Weekend Update" news desk in 1998, Norm MacDonald has pursued a bevy of questionable projects. Currently starring in the creatively titled Norm Show, the luckless comedian recently provided the voice of Lucky in Dr. Dolittle and had a cameo in the Andy Kaufman biopic Man on the Moon. And don't forget his first starring role in Dirty Work alongside the likes of Jack Warden and Don Rickles.

Screwed went through a slew of title changes and at one time or another was officially referred to as Pittsburgh, Ballbusted, and Foolproof. Finally, this dubious marquee was selected, which prompted Entertainment Weekly's "The Hot Sheet" to wryly joke "And the question is: What do you call it when a Norm MacDonald movie goes up against Gladiator?" The story follows Willard Fillmore (MacDonald), a pissed off chauffeur, who decides to even the score with his boss (Elaine Stritch). In a stroke of questionable brilliance, Fillmore decides to kidnap her prized pooch with the help of his stumbling buddy (an over-the-top David Chappelle) and a creepy mortician (Danny DeVito). Hijinks ensue when the dog escapes and the boss lady thinks Fillmore himself has been nabbed. Needless to say, the audience is inundated with the kind of limpid humor we've come to expect from fellow SNL alumni Adam Sandler, the late Chris Farley, and Will Ferrell. MacDonald plays himself — as usual — and Chappelle gives a wild red-eyed performance that makes you wonder if he still thinks Half Baked is in production.

Written and directed by Ed Wood screenwriters Scott Alexander and Larry Karaszewski, Screwed is the duo's first outing at the helm — and it shows. The pair delivers none of the rich, nuanced characters or bizarre yet true-to-life humor that were the hallmarks of their last two scripts, The People vs. Larry Flynt and Man on the Moon. Unlike the Farrelly brothers, who coyly created low-brow comedy with a heart in There's Something About Mary, Alexander and Karaszewski wallow in overused gags and stupider-than-thou jokes that are neither ironic or insightful. Does the world really need more poop references?

After watching this thankfully brief comedic abomination, one can't help thinking it was conceived during a 14-martini lunch. Imagine it: As the writing/directing duo scrawled hasty notes on wet napkins, MacDonald nodded vigorously, a sign that the filmmakers took as assent, but was actually only a cue to the waiter to bring another round. In its final form, Screwed makes you yearn for a martini or four yourself, if only to dull the headache you'll get while watching this sloppy mess.
-- Nevin Martell

 Variety

[ RATING: Negative ]

At once brazenly slapdash and desperately frenetic, “Screwed” is latenight cable TV filler disguised as a feature film. Dumped into theatrical release May 12 without benefit of press previews, this lamentably lame comedy may vanish from most megaplexes before Memorial Day and almost certainly will appear on vidstore shelves by summer’s end.

Pic marks the co-directing debut of Scott Alexander and Larry Karaszewski, the screenwriting duo behind “Ed Wood,” “The People vs. Larry Flynt” and “Man on the Moon.” At first glance, “Screwed” might appear to have more in common with a couple of the pair’s less prestigious efforts, “Problem Child” and “Problem Child 2,” but don’t be fooled: The latter two comedies were fitfully amusing guilty pleasures. By sharp contrast, “Screwed” provides only a few random laughs separated by long periods of mirthless tedium. Indeed, some stretches are so painfully unfunny, ticket buyers may actually find themselves feeling sorry for the folks onscreen.

Norm Macdonald appears stiff and uncomfortable in the lead role of Willard Fillmore, the overworked and underpaid chauffeur of a miserly cookie mogul, Miss Crock (Elaine Stritch). A thoroughly nasty old biddy, Miss Crock treats Willard as an indentured servant and behaves as though she’s doing him a favor by not treating him worse.

Willard’s father worked himself to death for the ungrateful crone. After 15 years of service, Willard appears ready to follow in his father’s footsteps.

Famished for revenge, Willard and buddy Rusty P. Hayes (Dave Chappelle) hatch a plot to kidnap Miss Crock’s beloved pet, a small dog whose bark isn’t nearly as a bad as his bite. Not surprisingly, the dog outwits the would-be abductors and escapes from their truck.

But when Miss Crock discovers the ransom note -- along with all the blood that gushed from Willard’s hand when the dog gnawed him -- she assumes that Willard has been snatched.

At first, the tight-fisted cookie mogul is unwilling to pay the $5 million ransom. But when her refusal proves to be a public relations disaster, she reluctantly agrees -- with a little prodding from Chip Oswald (Sherman Hemsley), her chief business adviser -- to fork over the money.

Willard and Rusty hope to cover their tracks after grabbing the cash by faking Willard’s death. To this end, they try to obtain a corpse from zany coroner Grover Cleaver (Danny DeVito), who’s promised $100,000 for his help. One thing leads to another, the ransom pickup is botched, Willard winds up in a hospital bed -- and the coroner is implicated in the faux kidnapping. Nothing good comes of this.

Additional complications are introduced serving only to make the pic longer, not funnier. Although it lasts merely 81 minutes -- and, mind you, that’s counting all of the closing credits -- “Screwed” feels padded and repetitious. Sporadically, Alexander and Karaszewski toss a few gross-out gags into the mix. But they’re too timid -- or too eager for a PG-13 rating -- to try anything more outrageous than a geyser of blood from Willard’s dog-bitten hand or a few odd objects retrieved from colons by the cheery Grover. Instead of qualifying as black comedy, “Screwed” often comes off as dingy gray silliness.

Macdonald was showcased to better advantage in his first starring vehicle, “Dirty Work” -- which, come to think of it, also was withheld from critics before itsng day. Chappelle makes an adequate foil and has a few modestly amusing moments, but Stritch sustains a single, shrill note of brassy bitchiness throughout.

DeVito doesn’t show up until a third of the way into “Screwed” as the demented coroner with an inexplicable passion for “Hawaii Five-0.” Even so, DeVito manages to do a lot more for the pic than the pic does for him. As the cop in charge of the kidnapping case, Daniel Benzali walks around looking like a man with a bad taste in his mouth or an actor who knows he’s made a bad career choice.

Drab cinematography by Robert Brinkman doesn’t exactly enhance the less-than-festive mood. Other tech credits are no better than necessary.
-- Joe Leydon

 Pittsburgh Post-Gazette

City's the loser in low gross-out comedy

[ RATING: 1.5 out of 5 stars ]

Well, at least they changed the title.

"Screwed" was originally known as "Pittsburgh," which is where this gross-out comedy takes place. The city shield is accurate. So is the WPGH-TV logo. And, yes, that is a Post-Gazette newspaper box getting battered in a car chase.

But the filmmakers shot the movie in Vancouver, giving due mention to the money-saving British Columbia Production Services Tax Credit (take THAT, Dawn Keezer!).

And that's just the first insult to our fair municipality. The movie features so many grungy locations that it could be a promotional ad for the Fifth and Forbes project. Thanks, we needed that.

And then there's the film itself, which never aspired to be smart but might have had a chance for ingenious. Or maybe not. The screenplay sat for five years until Norm Macdonald agreed to do it. When Macdonald is the best you can do, God is surely trying to tell you something -- and it isn't that you should cast Dave Chappelle as Macdonald's sidekick.

OK, I understand that their characters are not rocket scientists and cannot be if the movie has any chance to work. Macdonald plays Willard Fillmore (the movie's idea of wit is to use names with presidential connotations), apparently the one and only servant of the rich bakery magnate Virginia Crock (Elaine Stritch). I can't say she treats him like a dog because her pooch, Muffin, fares much better than the overworked, underappreciated Willard.

Why doesn't he just quit? I told you he had to be stupid. Commiserating with his pal Rusty P. Hayes (Chappelle), who owns an eatery called the Chicken Hole, they hatch a plan to kidnap the mutt and ransom him for a million dollars.

But they can't do anything right. Muffin escapes before they realize it and returns home. So when Mrs. Crock finds the ransom note, she thinks Willard has been kidnapped. That's a relief -- she doesn't feel the need to pay THAT ransom.

But what a tangled web we weave when first we screw up royal. One mistake leads to another, and there's a certain demented logic to the plotting as our heroes just keep digging themselves a bigger hole, dragging others in with them.

Danny DeVito, wearing a very black mustache and beard and wisps of hair that look like soot falling across his forehead, plays a ghoulish morgue employee who gets sucked into the scheme. His appearance takes some getting used to, especially considering all the corpse jokes in hisng scene, but his skill at comic perversity eventually draws a few chuckles.

Stritch, the Broadway stage veteran, brings Miss Crock to life with sass and vinegar. Kidnapping her, as Willard and Rusty briefly considered, would be like trying to ransom Red Chief. She's a nasty old bat, but her single-minded ruthlessness and unwillingness to take any flak from anyone is almost admirable in a capitalist sort of way. Daniel Benzali and Sherman Hemsley are good in key supporting roles.

But when Hemsley comes off as restrained, you know someone else is overdoing it. Writer-directors Scott Alexander and Larry Karaszewski say they wanted to re-create the anarchic comedies of the '30s and '40s, citing in particular the work of W.C. Fields -- an ordinary guy getting into trouble.

Yeah, but Fields hit back. He was irreverent, sarcastic, scheming, often incompetent, but he was seldom lamebrained. Macdonald and Chappelle bring nothing to the table but fast talk, dim wits and the ability to yell a lot when things go wrong. A pair of skillful physical comedians might not have made this a good movie, but it might have been at least tolerable.

The names Alexander and Karaszewski may sound familiar. They wrote the screenplays for a trio of acclaimed biopics -- "Ed Wood," "The People vs. Larry Flynt" and "Man on the Moon," each of which contained comic elements on a somewhat higher plane. Here, it's a matter of how low can you go.

Hey, and next time, guys, pick on Buffalo.
-- Ron Weiskind

 Calgary Sun

Norm's talent wasted

[ RATING: Neutral ]

Norm Macdonald is a talented comedian with an unique charisma. He was great on Saturday Night Live and is entertaining enough on his ABC sitcom Norm.

It was only a matter of time until someone figured out just exactly what Macdonald's talents were and showcased them in a major motion picture.

Possibly, Macdonald's next project will be that film. Screwed is certainly not it.

The screwball comedy isn't very funny to begin with, so it doesn't matter if they had cast Macdonald, Jim Carrey or Rick Moranis. Yet it surely does not help that Macdonald seems like he is acting against his will in every scene.

The Ottawa-raised comedian stars as Willard, a disgruntled butler who finally cracks after years of abuse by a crusty millionaire. His pal Rusty (Dave Chappelle) encourages him to teach Miss Crock (Elaine Stritch) a lesson by kidnapping her prize pooch.

The dog, however, finds its way home but the ransom note remains. As Willard is the only thing missing, it appears as though he has accidentally kidnapped himself!

Willard and Rusty are in for a bungle of briefcases, bodies and Keystone cops as they try to get a $5-million ransom.

Writers-directors Scott Alexander and Larry Karaszewski were apparently attempting to recreate kooky comedies of the '30s and '40s. The 1992 John Turturro farce Brain Donors accomplished this admirably. In comparison, Screwed is merely a below-average addition to the recent spate of buddy comedies.

The supporting cast includes Emmy-winner Stritch, Sherman Hemsley, Daniel Benzali and Danny DeVito as an imbalanced mortician. His creepy character keeps a menagerie of items found in corpses. DeVito is responsible for two or three of the dozen laughs you'll count during Screwed.

Alexander and Karaszewski can write better material than this. Their scripts include Ed Wood, The People vs. Larry Flynt and even the comparatively hilarious Problem Child. But Screwed, while more tasteful than Dirty Work, certainly won't appeal to admirers of those flicks. It could only appeal to Macdonald zealots. These fans found Dirty Work to be infinitely entertaining experience.

To them I say: Enjoy Screwed. At least someone should pleasure from the movie and it's about the same quality as your beloved Dirty Work. We'll leave it to them to debate which film is better, Screwed or Dirty Work. The rest of us will wonder which is worse.
-- Tyler McLeod

 Toronto Sun

What's new? Macdonald stars in another bomb

[ RATING: Negative ]

Screwed? You were if you paid money to see it.

Screwed is another Norm Macdonald joke movie that isn't funny. The best thing about it? The coming attractions trailers before the movie starts.

What a surprise, Macdonald starring in another dud.

In the latest one, he plays a chauffeur who tries to kidnap the dog of his cranky boss. By some quirk of stupidity, folks decide that the chauffeur has been ransomed when he goes missing and the dog returns.

Annoying

A series of really annoying, obnoxious and resoundingly dumb scenes follow, and there's nothing you can do about it.

It's clear that there's nothing co-directors Scott Alexander and Larry Karaszewski feel they can do about it.

They more or less let the 'slapshtick' run the gamut from cornball to disgusting. Certainly, the dog-bites-Norm sequence is a bloody mess, figuratively and literally. And it's not even remotely snicker-worthy unless you really hate Macdonald.

Alexander and Karaszewski can't even blame the screenwriters, since they are them.

And they aren't necessarily bad ones either. Well, three out of four isn't bad.

They wrote Ed Wood, The People Vs. Larry Flynt and Man On The Moon before they got Screwed. I hope they were nice to people on the way up.

There are others in the career-limiting Screwed department.

David Chappelle, a reasonably bright comic, plays Macdonald's sidekick. He should be embarrassed, but he probably knew the job was dangerous to his future when he took it.

Elaine Stritch, who portrays the rich dowager Miss Crock, is apparently willing to do anything for money. Danny DeVito has a cameo as a mad undertaker. He is apparently willing to do anything, and he doesn't need the money.

No content

And then there's Macdonald, a Canadian without content.

His last witty thing was the Saturday Night Live fake news. He's obviously good at faking it.

What he can't do is act, confirmed previously in Dirty Work and currently on the TV series The Norm Show.

Somebody, please! Give Macdonald a full-time cable talk show, and put us out of our misery.
-- Bob Thompson

 Sacramento Bee

Enjoyable comedy 'Screwed' merits better than eponymous treatment it has received

[ RATING: 3 out of 4 stars ]

Elaine Stritch is one of those venerable Broadway divas who, for some reason, never made it in movies. Others include those two powerhouses, Carol Channing and Chita Rivera; the wonderful Blythe Danner (Gwyneth Paltrow's look-alike mom); and relatively younger stars like Roxanne Hart and Swoosie Kurtz.

But of them all, Stritch, with her booming, boozy voice and impeccable comic timing was the one who was made for CinemaScope and Technicolor. And it took the wild writing team of Scott Alexander and Larry Karaszewski -- whose movie scripts include "Ed Wood," "The People vs. Larry Flynt" and "Man on the Moon" -- to finally put Stritch at the center of a film. In their debut as film directors, the pair has cast the actress in "Screwed" as a gruff, savvy old business woman who has wheeled and dealed one merger too many.

Stritch's Virginia Crock is the head of the self-named Miss Crock's Cookies of Pittsburgh, and even though she's worth a gazillion dollars, she's so tight with money that she has only one home employee -- one Willard Fillmore (Norm Macdonald) whom she shamefully overworks and verbally abuses, to boot.

Willard has worked for Miss Crock for 15 years now, following in the footsteps of his father, who worked for her for 30 years before dropping dead. Willard does everything around her mansion, except service her sexually the way his dad did. Maybe that's why she holds him in such low regard.

Well, come Christmas, when Miss Crock refuses to buy Willard the new butler's uniform that he needs, he decides it's time for a little revenge. With his pal Rusty Hayes (Dave Chappelle), Willard thinks up the plot for a kidnapping.

At first, Rusty wants to kidnap Crock herself. "We'll hold the old bag for ransom," he says. "And if they don't come through, we'll start hacking off her fingers -- first her thumb, then the pointer and then the old nasty one."

But Willard's idea is to steal Miss Crock's awful pet dog, Muffin (who, incidentally, is one of the funniest canine brats to take over the screen in ages), leaving a ransom note behind. But when Muffin escapes, returning home, and Miss Crock finds the note, she and the director of her company, Chester "Chip" Oswald (Sherman Hemsley), assume that it's Willard who has been kidnapped and are reluctant to deliver any ransom money.

"Screwed," which wasn't screened in advance because its studio -- Universal -- probably didn't "get it," is a fractured version of an O. Henry tale which spins so out of control that Willard and Rusty have to go to a deranged morgue worker named Grover Cleaver (Danny DeVito) to come up with a body so that Willard can fake his own death. Grover delivers the dead body of a septuagenarian midget with a full beard and long hair. (Willard is young, about 6 feet tall and clean shaven). Doesn't matter, though, because by now the police are led to believe that the dead midget was Willard's kidnapper.

And on and on it goes, becoming more unhinged as it keeps making wrong turns. "Screwed" is an insane comedy -- not a great one, but a good one, and certainly better than most junk routinely screened and screened again by the studios. (Anyone here remember "American Pie"?) You'll find nothing funnier or more original, for example, than the scene in which DeVito exhibits the things he's extracted from the cavities of cadavers.

Alexander and Karaszewski manage to play tribute to "Hawaii Five-O" and the late Jack Lord by making DeVito the inexplicable president of The Jack Lord Fan Club. And the duo also plug their own "Ed Wood" movie by including a quick clip from Wood's "Glen or Glenda?" cult film.

But the choice stuff goes to Stritch, who milks every laugh line with her bourbon voice. This is the funniest performance by a Broadway diva since Ethel Merman played a delusional soldier who thought he was Ethel Merman in "Airplane" (1980), a film with much the same verve and crudeness of "Screwed."

And, by the way, does that title have anything to do with the half-hearted release the film has been given?

Just asking.
-- Joe Baltake

 San Francisco Chronicle

DeVito Hits Bottom In Laughless 'Screwed'

[ RATING: Embarrassing ]

Sometimes you don't know whether you're going to get Good Danny or Bad Danny.

In what I hope was a once-in-a- lifetime coincidence, two movies featuring Danny DeVitod yesterday, one of his best and one of his worst. ``The Big Kahuna'' contains one of DeVito's most accomplished performances, the product not only of a lifetime of acting but also of a life sensitively experienced.

The other, ``Screwed,'' you should pardon the expression, is a complete misfire. Poor DeVito shouldn't feel singled out. ``Screwed'' is an embarrassment for everyone involved.

The new Norm Macdonald movie, whichd yesterday without press screenings, gives stupid, vulgar comedy a bad name.

Macdonald is the put-upon chauffeur-butler for a rich old skinflint (Elaine Stritch). In an effort to extort ransom from her, he ends up kidnapping himself (don't ask). DeVito is a morgue worker recruited to provide a dead body to fake the chauffeur's death.

It is a real chore to sit through and may be some kind of a first for a comedy. It doesn't have a single honest laugh in it.

Musical comedy veteran Stritch not only has to endure the indignity of being exposed in her underwear for laughs, she also is shown on two occasions putting her false teeth in.

Don't waste any hand-wringing on Stritch, though. She is a tough old broad and will survive.
-- Bob Graham

 Norm K at the Movies

[ RATING: 4 out of 5 stars ]

Oh man ! I haven't laughed this hard in so long ! Screwed is easily the most laugh out loud, fall out of your seat hilarious comedy I've seen so far this year. The last time I laughed this much at a movie was when I saw Man On The Moon, which was written by Scott Alexander and Larry Karaszewski, whose directorial debut this is. Before the Andy Kaufman biopic, they wrote other fine films about off colored individuals such as Ed Wood and The People Versus Larry Flynt. These guys really have a wonderful sense of humor, a way of taking a situation and screwing it up, and then build and build on it as you howl with laughter ; just think of the scene in which Bela Lugosi battles a rubber octopus in Ed Wood. Being a fiction film, Screwed doesn't have the resonance of their biopics, but it truly delivers as far as chuckles go.

Meet Willard Fillmore (Norm MacDonald) who, after his father's death 15 years ago, took over the old man's job as chauffeur and servant to Miss Crock (Elaine Stritch), the bitchy head of an obscenely lucrative Pittsburgh pie factory. She makes him work like a dog, but even her pooch gets better treatment. So once upon a Christmas, Willard and his chicken frying buddy Rusty (Dave Chappelle) concoct a plan to kidnap said pooch and ask the old bag a million dollars to get it back. These guys being dopes, the whole affair screws up royally, the dog escapes and when Miss Crook reads the ransom note, she thinks it's Willard who was abducted ! This is pretty much what you've seen in the TV ads : a whacked out encore of the dog bashing scene in There's Something About Mary. But that's early in the film, before it really picks up gear. Afterwards, things keep getting more and more screwed, as the idiotic duo actually hire a creepy Hawaii 5-0 fanatic who works in a morgue (Danny De Vito) to find them a corpse to pass as Willard and... I don't want to give away all the twists but believe me, it's funny !

Besides Alexander and Karaszewski's laugh-packed script and dynamic direction, it's the performances that make the movie ignite. I'm a huge fan of Montreal-born Norm MacDonald, whom I've long called the Funniest Man Alive. I loved his antics on Saturday Night Live (especially when he helmed Weekend Update), and I always watch ABC's Norm, one of the best sitcoms on TV. He played bit parts in movies like Billy Madison and Dr Dolittle before he finally got a starring role in 1998's Dirty Work. I thought he was good in it but, as directed by Bob Saget (yes, Bob Saget), the film was so-so at best. Needless to say that I'm thrilled that he finally gets to shine on the big screen (even though I doubt a lot of people will bother to see the film). Norm's (dim) wits are matched by his partner-in-crime Dave Chappelle, a talented comedian best known for his hysterical starring role in the cult pothead comedy Half Baked. These two - and De Vito - are hilarious, and so's the movie. Give it a chance, you're not gonna regret it.
-- Norm K

 Boxoffice Magazine

[ RATING: 0.5 out of 4 stars ]

The writing team of Scott Alexander and Larry Karaszewski has penned three of the best movies of the '90s--"Man on the Moon," "The People vs. Larry Flynt" and "Ed Wood". Norm Macdonald has a well-defined and popular persona of an amoral and irreverent but likable schemer. So how come they couldn't come up with something better than this road kill of a movie?

And there's more. How did they manage to involve class acts like Danny DeVito, Elaine Stritch and Daniel Benzali in their folly? Surely there can't be that many incriminating photos out there.

Macdonald, straying far from his character comfort zone, plays the put-upon butler of a witchy tycoon. The hired hand is treated like a dog, or rather much worse than his mistress' pampered pooch. The Norm we know and love from movies ("Dirty Work") and TV (ABC's "Norm") would have told his employer where to stick her job, but then there would have been no "Screwed"--which would have been best for all concerned. Instead, there's a pathetic plot about kidnapping the dog for ransom, which veers off in convoluted and totally pointless directions. There is one brief promise of salvation with the introduction of Danny DeVito's creepy character--a morgue attendant with an impressive collection of things found inside corpses. Think Louis DePalma meets Frankenstein. But he's not given the opportunity to go anywhere with it.

The real tragedy is that there are no laughs--nothing remotely amusing. The closest it gets is naming the characters almost after presidents. There's Willard Fillmore, Grover Cleaver and Rusty B. Hayes. And the cop is called--wait for it--Tom Dewey. It might not be exactly side-splitting to suggest that audiences forking over their money expecting to be entertained are getting exactly what the title promises. But it would be funnier than the film.
-- Mike Kerrigan

 Film.com

Not Exactly the Farrellys

[ RATING: 0.5 out of 4 stars ]

Milos, baby, where are you?

Scott Alexander and Larry Karaszewski, the Oscar-nominated scribes who authored screenplays for Milos Forman's last two films, The People Vs. Larry Flynt and Man On the Moon, have been left to their own devices on Screwed. Chances are extremely good their directorial debut won't inspire quite as much interest as Forman's A-list assignments.

A black comedy that never gets black enough to inspire Farrelly-style decadence (despite a sick-joke sequence involving an attack by a small dog, an obvious lift from There's Something About Mary), Screwed concerns a faked kidnapping engineered by a sad sack butler named Willard Fillmore (Norm Macdonald) and his best friend, Rusty Hayes (Dave Chappelle), a greasy spoon proprietor.

(The pointlessly distracting references to forgettable American presidents doesn't end with their names. Danny DeVito, producer and co-star of Man On the Moon, throws a bone to the novice directors by appearing as a brain-scrambled morgue attendant, Grover Cleaver.)

In any case, the fates of these clowns become intertwined when Willard, out of exasperation with his miserly employer, a filthy-rich pastry industrialist named Crock (Elaine Stritch), attempts to kidnap Crock's yappy mutt with the aid of Rusty. The dog escapes, and police are led to believe it's Willard who is being held for an enormous ransom.

Crock balks about paying while Willard and Rusty enlist Grover to deliver a corpse that could convincingly pass for Willard. The culprits plan to run off with the money and let officials believe the unfortunate butler is dead; alas, everything goes awry, but the movie never gets particularly funny. Luckily for Alexander and Karaszewski, Chappelle, Stritch, DeVito, and supporting players Sherman Helmsley and Daniel Benzali are complete pros, salvaging some of the proceedings from the surprising ordinariness of the script.

As for Macdonald, the guy deservedly made a name for himself on Saturday Night Live mocking mediocrities such as this film. His crafty sense of timing here with a line allows him to nail a couple pieces of dialogue with an irony so subtle it leaves no fingerprints. But for the most part, he's so uninvolved as a performer of someone else's material -- such a company man instead of a standout -- that his presence is negligible.

As for Alexander and Karaszewski, what gives? Isn't the point of climbing the Hollywood food chain to acquire enough clout to make the movies you want to make? If this is how they want to squander a hard-earned opportunity, they should keep their day jobs.
-- Tom Keogh

 National Post

Can this be worse than Battlefield Earth?

[ RATING: Negative ]

The makers of Screwed are not proud parents. Sheepishly, they held on to the film for two years after completion, then left it on the doorstep of movie theatres without a press screening -- the birth announcement of the film industry -- hoping no one would notice what an ugly baby they had made. They were right to spare us.

Screwed is a very, very bad movie, the kind of film that generates only mortified silences at the places it should generate laughs. It has all the gross-out earmarks of a Farrelly Brothers film, with none of the payoff. Unless someone is sitting next to you whispering headlines from The Onion in your ear, you will not laugh more than twice.

Scott Alexander and Larry Karaszewski, best known for writing stylish biopics like Ed Wood and The People vs. Larry Flynt, get behind the camera for the first time, co-directing their script. The premise is faux-Thirties screwball, and utterly non-sensical: Norm MacDonald plays a threadbare butler named Willard, indentured servant to Miss Crock (Elaine Stritch), a tyrannical baked goods maven with a Sara Lee image. She makes Willard sleep in the doghouse when he misbehaves, a disturbing image that's begs the question: Why doesn't he just quit?

Perhaps Willard is supposed to be stupid, a la Steve Martin in The Jerk. MacDonald is exactly wrong for a dumb naif role: His eyebrow wiggling shtick revolves around being the smartest ass in the room. MacDonald is no dummy, and since he's essentially playing himself here -- as evidenced by the sporadic use of his trademark word "whore" -- it's hard to believe he wouldn't just sass off Miss Crock with a whore or two and walk away.

Instead, with his sidekick, a chicken shack proprietor played by David Chappelle (who could do better), he kidnaps her dog for a $1-million ransom. This provides some of that dog humour that wasn't even cutting edge two years ago in There's Something About Mary: The dog attaches itself to MacDonald's hand and he spins around, blood flying everywhere. Everything that's gross in Screwed is just a little too gross to laugh at.

After the two bungle the dognapping, the public and the police believe Willard himself has been kidnapped, so the incompetents have to find a dead body to take his place. Enter Danny DeVito, as a green-coloured mortician. He holds up a pair of dice and says: "I just dug these out of a guy's colon." With a joke like that, you throw it and get the hell out, praying for the best. No such luck. The dice joke is followed by an endless scene cataloguing other items recently dislodged from the bowels of cadavers. Endless. I felt nauseous, and I liked Caligula.

This cheap-looking film -- snowy in one scene, summer in the next -- humiliates everyone involved: dogs, older women (accomplished stage actress Stritch is the butt of several mean-spirited jokes about her body), the actors who somehow landed in it. Screwed is a baby that should have been thrown out with the bathwater.
-- Katrina Onstad

 Syracuse New Times

[ RATING: Negative ]

Scott Alexander and Larry Karaszewski are best known for their inventive scripts for such bizarre biopics as Ed Wood, Man on the Moon and The People Vs. Larry Flynt. So the chances are good that they'll be able to brush off their current calamity Screwed, which marks their inauspicious directorial debuts as they guide their own terrible original script.

Strained even by derivative screwball-comedy standards, it stars Norm Macdonald (who still can't act) as underpaid manservant Willard Fillmore, who toils for a Cratchit-like employer named Miss Crock (Elaine Stritch), a Pittsburgh pastry-industry magnate. With the help of greasy-spoon worker Rusty P. Hayes (Dave Chappelle), the pair hatch a plot involving the dognapping of Crock's beloved cur. Things go awry, however, as Crock mistakenly thinks Fillmore has been kidnapped instead, a turn of events that allows the guys to ask Crock for a $5 million ransom demand. But when they enlist warped coroner Grover Cleaver (Danny DeVito) for some corpse-related chicanery to ensure their payday, the new partner's seedy demeanor ends up creating more headaches.

With Alexander and Karaszewski believing that funny names based on dead presidents is supposed to generate hilarity, you get a rough idea of this lowbrow laugher's intentions. And for a film that thinks it's brimming with outrageous shock value, led by the burned-in-your-retina image of Stritch in her undergarments, Screwed is actually a pretty mild moron movie that even stoops to a doggie-doo gag pilfered from John Waters' Pink Flamingos. At least Stritch has a high old time with her scene-chewing matron, while Daniel Benzali, as the requisite nosy dick, seems to be spoofing his overtly intense performance from his old TV series Murder One; Benzali's slooooow line readings probably add five more minutes to this bowwow's brief running time.
-- Bill DeLapp

 The New York Post

Hard To Nail Down The Worst Thing About 'Screwed'

[ RATING: 1 out of 4 stars ]

‘SCREWED" is the title of a new comedy that sneaked into theaters yesterday without advance screenings for critics, and screwed is how you'll feel if you pay good money to see this unfunny flick.

It stars Norm MacDonald as Willard, a chauffeur so mild-mannered he doesn't protest when his super-bitch boss Miss Crock (Elaine Stritch) forces him to scrub her dentures - and her toilets.

Miss Crock, who owns a huge baked-goods factory and is known in public as a sweet old lady, dotes on her mean-tempered lapdog and her boyfriend Chip (Sherman Hemsley).

She's the kind of battle-ax who parades around in front of Willard in her girdle and laughs at him when he asks for a new uniform for Christmas.

Fed up with years of mistreatment, Willard and his pal Rusty (Dave Chappelle) come up with a scheme to kidnap her dog and ransom him for $1 million.

In a slapstick scene that borrows heavily from "There's Something About Mary," but lacks any real laughs, they manage to botch the kidnapping, but leave the house in such chaos that Miss Crock thinks Willard has been abducted.

While this might not be a terrible premise for a comedy, the actors go through their paces as if they're sleepwalking. Daniel Benzali barely registers as a bumbling detective.

But the real disappointment is Danny DeVito as a creepy coroner.

His scenes in the morgue, which involve licking items removed from corpses' colons, are so inept and witless it's hard not to spend the rest of the movie wondering why he agreed to participate in this mess.

If you want to see a truly funny movie about a botched kidnapping, go rent the Coen brothers' "The Big Lebowski," but skip "Screwed," which will be coming soon to a video store near you.
-- Hannah Brown

 Seattle Times

'Screwed' graduates with the crass of 2000

[ RATING: 0 out of 5 stars ]

While Danny DeVito is earning some of the best reviews of his career for ``The Big Kahuna,'' which Friday in the Twin Cities, he's also starring in ``Screwed,'' which arrived over the weekend with no advance press screenings.

No wonder. Also no wonder that ``Screwed'' has been on the shelf for more than a year. Why release it at all? The word ``crass'' does not begin to describe this laughless black comedy, which surely merits a place on every critic's 10-worst list come December.

DeVito plays a morbid mortician who gets involved in an attempted dognapping, planned by a frustrated chauffeur (Norm Macdonald) and his best friend (Dave Chappelle). Elaine Stritch is the chauffeur's nasty boss, Mrs. Crock, whose prized pooch is the intended ransom victim.

A ``Crock Crisis'' logo appears on television as reporters try to keep track of who's really been kidnapped, whether the $5 million ransom will be paid, who did the kidnapping and whether Macdonald will ever get that new uniform he wants from stingy Mrs. Crock.

``Screwed'' marks the directing debut of Scott Alexander and Larry Karaszewski, the screenwriting team who wrote the smart biographical scripts for ``Ed Wood'' and ``Man on the Moon,'' and won a Golden Globe for writing ``The People vs. Larry Flynt.''

The real Ed Wood's ``Glen or Glenda'' turns up on television during the course of ``Screwed''; if it's an homage, it's an awfully lame one. Ditto for a scene in which the mistreatment of Mrs. Crock's dog threatens to require a lawsuit from the makers of ``There's Something About Mary.''

Alexander and Karaszewski also wrote ``Problem Child,'' ``Problem Child 2'' and Disney's wretched remake of ``That Darn Cat.'' Put this one down in that column.
-- John Hartl

 Boston Phoenix

[ RATING: Negative ]

"Sweet Jesus, we kidnapped a turd!" exclaims David Chappelle's aptly named Rusty in this Norm Macdonald farce, and the audience can certainly smell it. The turd in question is the product of the lap dog that the dimwitted butler/chauffeur Willard Fillmore, played by Macdonald, and his pal Rusty try to kidnap, in order to exact ransom and revenge for Willard's years of mistreatment by his crotchety employer, pastry tycoon Miss Crock (Elaine Stritch). The dog escapes, confusion reigns, and Mrs. Crock thinks it's Willard who's been abducted. The turd also sums up the film itself.

What was the last time we saw something truly funny on the big screen from a Saturday Night Live alum? Macdonald would seem to have film potential as the slightly-less-smug version of himself that he always plays, but here he gives a performance that defines "washed-up Canadian comic." Blame the writers. Taking their first turn in the directorial chair, screenwriters Scott Alexander and Larry Karaszewski (the team behind Ed Wood, The People Vs. Larry Flynt, and Man on the Moon) choose to fumble with an under-utilized cast (Danny DeVito, Daniel Benzali, Sarah Silverman) and a plot with holes so big you could drive a garbage truck through it. The end result is a weak Farrelly brothers ripoff with none of their wit or flair. The only people getting screwed here are the ones shelling out eight bucks to see this stinker.
-- Scott Kathan

 Las Vegas Review Journal

[ RATING: 1 out of 4 stars ]

If there is any doubt that bad things can happen to good people, one need look no further than the appropriately named "Screwed."

"Screwed" marks the directorial debut of the successful writing team of Scott Alexander and Larry Karaszewski, who have won deserved accolades for such fresh and clever scripts as "Ed Wood" and "The People vs. Larry Flynt."

They also wrote "Screwed," but without knowing the story behind the story, my guess is that it is something the duo sketched out on legal pads during a drunken weekend back when they were film school classmates at the University of Southern California.

The press notes claim that "Screwed" is a homage to those plot-driven screwball comedies of the 1930s, many of them starring W.C. Fields. If so, this film was not recut prior to its release, but also chopped, filleted and minced.

The film stars the suddenly tedious Norm Macdonald as Willard Fillmore (just one of the character names that play on presidential monikers), the hard-working but unappreciated manservant for wealthy cookie mogul Miss Crock (Broadway actress Elaine Stritch). Furious that his cruel boss won't even buy him a new uniform to wear at work, Willard plots with his chicken-shack buddy, Rusty P. Hayes (Dave Chappelle), to kidnap Crock's beloved dog and hold him for a million-dollar ransom.

But things go awry, leading everyone involved, including police detective Tom Dewey (Daniel Benzali), to think that Willard is the one who has been snatched.

From this point on, all bets are off, as money exchanges hands with dull regularity.

Things start to look promising when the scattered plot leads us to city morgue attendant Grover Cleaver (Danny DeVito, looking a lot like he did as the Penguin), but it soon becomes evident that DeVito is pretty much slumming here, as if playing the role as part of a college fraternity prank.

By the end of the film, as we are forced to watch Sherman Hemsley of "The Jeffersons" prance around in his skivvies while taking a hot bath with his Scandinavian business partners, it's just a matter of holding your nose until the whole thing is over.
-- John Petrakis

 Entertainment Weekly

[ RATING: F ]

Scott Alexander and Larry Karaszewski want to take their medicine. They're
the screenwriting duo who penned ''Ed Wood,'' ''The People vs. Larry Flynt,''
and ''Man on the Moon'' -- marvelously original ironic biopics in which the
lower the hero falls in the world's eyes, the higher he rises in ours. Each
of these movies was heady, audacious, and a box office dud. Combined, they
grossed less money -- $5.9 million, $20 million, and $35 million,
respectively -- than ''Deuce Bigalow'' or ''Blue Streak'' alone. And so
Alexander and Karaszewski are trying to reassert their value. In their first
outing as writer-directors, they've made a black-comic farce called Screwed,
and it's a shrill, stupid, brickbat-blatant piece of hackwork that
practically sweats to be ''commercial.''

The film stars Norm Macdonald, who, even when he's being interviewed, comes off like a zombie impersonating a game-show host; when he attempts to act, he's even stiffer. He plays Willard, manservant to Miss Crock (Elaine
Stritch), a sadistic biddy who treats him worse than her dog. Instead of
quitting, he comes up with a convoluted scheme to kidnap the pooch, and then
himself. He and his partner (Dave Chappelle) enlist the aid of an undertaker
played by Danny DeVito, who, beneath a Musketeer beard and comb-over fright wig, looks and sounds exactly like Danny DeVito.

There are poo-poo jokes, dental-plate jokes, moldy-corpse jokes, Jack Lord
jokes, and ''old lady getting dragged down the stairs'' jokes. With any other
filmmakers, I would have called this cynicism. In the case of Alexander and
Karaszewski, it's more like masochism: They appear to be locking themselves
in the screenwriters' doghouse and reveling in their worst notions of what
they think Hollywood wants. Good Scott! Good Larry! Now, please, go back to doing what you do so well.
-- Owen Gleiberman


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