
Screwed: What they said ...

"MacDonald has absolutely NO talent and is
simply NOT funny. Unfortunately, someone saw fit to give him ANOTHER film."

-- Cinemaphile, Dark Horizons
"Screwed is right. That's what happens to anyone
who actually shells out hard-earned money for this piece of garbage."

-- E! Online
"Norm Macdonald and Dave
Chappelle...much-too-cool cookies...no apparent knack for broad physical comedy."

-- Stephen
Holden, The New York Times
"...doesn't even have the decency to be
horrifyingly funny..."

-- Maitland McDonagh, TV Guide
"Avoid this like the plague."

-- Eric
Lurio, Greenwich Village Gazette
"Screwed nearly put me to sleep.
Literally."

-- Chuck Schwartz, Cranky Critic
"Macdonald simply seems uncomfortable."

-- Patrick Rooney, City Search
"Norm Macdonald, however sublimely hilarious he
might be as a standup comic, is no actor...Macdonald should simply stay out of movies, for
his own sake."

-- Michael Atkinson , Mr. Showbiz
"MacDonald...again shows no visible
talent...He's simply not that funny. And neither is 'Screwed'."

-- Chuck
O'Leary, Tribune-Review of West Pennsylvania
"...a film so utterly easy to insult...The
antics in 'Screwed' are childish...after watching it, you feel screwed six ways..."

-- James
Brundage, Filmcritic.com
"With Screwed, the title says it all...You get
the feeling that most of the people involved in this tiresome flick owed someone a
favor."

-- Philip
Wuntch, The Dallas Morning News
"The only smart thing about "Screwed"
was Universals decision not to screen the picture in advance for the news media so
as to avoid scaldingng-day reviews."

-- Kevin Thomas, The Los Angeles Times
"The comic possibilties are endless. Or does it
just seem as it will never end?...Norm does not do scream well."

-- Alan Kellogg, The Edmonton Journal
"So is it funny? Yes...Expect to have a good
time."

-- Kerry Douglas Dye, LeisureSuit.net
"MacDonald plays himself as usual...one
can't help thinking it was conceived during a 14-martini lunch."

-- Nevin
Martell, Reel.com
"...provides only a few random laughs...some
stretches are so painfully unfunny, ticket buyers may actually find themselves feeling
sorry for the folks onscreen."

-- Joe Leydon, Variety
"When Macdonald is the best you can do, God is
surely trying to tell you something..."

-- Ron Weiskind, Pittsburgh Post-Gazette
"Norm Macdonald is a talented comedian with an
unique charisma...seems like he is acting against his will in every scene."

-- Tyler McLeod, Calgary Sun
"Somebody, please! Give Macdonald a full-time
cable talk show, and put us out of our misery."

-- Bob Thompson, Toronto Sun
"Screwed is an insane comedy -- not a great one,
but a good one...You'll find nothing funnier or more original..."

-- Joe Baltake, Sacramento Bee
"...gives stupid, vulgar comedy a bad name...may
be some kind of a first for a comedy. It doesn't have a single honest laugh in it."

-- Bob
Graham, San Francisco Chronicle
"...laugh out loud, fall out of your seat
hilarious comedy...Norm MacDonald...the Funniest Man Alive."

-- Norm K, Norm K at the Movies
"The Norm we know and love...would have told his
employer where to stick her job, but then there would have been no 'Screwed'--which would
have been best for all concerned. "

-- Boxoffice Magazine, Mike Kerrigan
"Macdonald...made a name for himself on Saturday
Night Live mocking mediocrities such as this film."

-- Film.com, Tom Keogh
"Unless someone is sitting next to you
whispering headlines from The Onion in your ear, you will not laugh more than twice."

-- Katrina Onstad, National Post
"Norm Macdonald...still can't act..."

-- Bill
DeLapp, Syracuse New Times
"'Screwed'...coming soon to a video store near
you."

-- Hannah
Brown, The New York Post
"The word 'crass' does not begin to describe
this laughless black comedy, which surely merits a place on every critic's 10-worst
list..."

-- John Hartl, Seattle Times
"Macdonald would seem to have film potential
...but here he gives a performance that defines 'washed-up Canadian comic.' Blame the
writers."

-- Scott Kathan, Boston Phoenix
"If there is any doubt that bad things can
happen to good people, one need look no further than the appropriately named
'Screwed.'"

-- John
Petrakis, Las Vegas Review Journal
"Norm Macdonald...comes off like a zombie
impersonating a game-show host..."

-- Owen Gleiberman, Entertainment Weekly
[ RATING: Negative ]
Blues Brothers was a good movie. The first Wayne's World was fun. Beyond those two,
Saturday Night Live is responsible for spawning some of the worst films ever made: It's
Pat, Coneheads, Night at the Roxbury, Stuart Saves His Family, and especially Superstar!
But the icy hand of SNL also led to a plethora of horrible non-SNL films featuring its
alumni: Anything by Adam Sandler, Opportunity Knocks, Black Sheep, and of course Dirty
Work, among many others. This last entry, starring Norm MacDonald, confirmed what we all
already knew. MacDonald has absolutely NO talent and is simply NOT funny. Unfortunately,
someone saw fit to give him ANOTHER film.
That brings us to Screwed. It's never a good sign when a comedy is only 80 minutes
long. It's also never a good sign when Norm MacDonald is the star. Next to this guy, the
non-talent that is Adam Sandler looks like Kevin Spacey. MacDonald has absolutely no comic
timing, his has only one facial expression, and has no ability to even deliver a line
without sounding like he's reading it off an SNL cue card.
The rest of the cast is not much better. Dave Chappelle, when surrounded by talented
actors, can be amusing. But in this case, relegated to an awful cast, everything just
falls flat. Elaine Stritch, as the mean old lady for whom MacDonald works, gives Norm some
serious competition for the worst acting talent in the film. In a small supporting role,
Daniel Benzali portrays a cop on the trail of the kidnappers, a parody of his character on
TV's Murder One, which is funny for about a minute. Sherman Helmsley is in full Old Navy
mode with his pathetic acting attempt as well.
The plot is ludicrous, the characters one-dimensional and stupid, and the acting
horrendous. That's about all I have to say about this film. We have an early contender for
worst film of 2000. SNL could be on streak now, having clinched that honor last year with
Superstar! Sure, it's not an SNL film, but I hold them responsible for giving Norm
MacDonald a career. Unfortunately, there seems to be no end to their torture as this fall,
Paramount unleashes yet another one, this time featuring Tim Meadows as "The Ladies'
Man." That will probably be the only film this year that gives Screwed a real run for
its money for worst film honors.
-- Cinemaphile
[ RATING: F ]
Screwed is right.
That's what happens to anyone who actually shells out hard-earned money for this piece of
garbage. Macdonald, who with Dirty Work has already soiled his résumé, plays a
household servant who tries to squeeze a few million dollars from his bitchy boss. Partner
in crime David Chappelle does his best to muster up a few laughs but comes up broke. And
why the classy Daniel Benzali enters the fray here is a mystery, but one thing remains
crystal clear: Don't check this one out for any reason--unless, of course, you like being,
well, screwed.
'Screwed': Duck Soup to Go? Horse Feathers!
[ RATING: Negative ]
A knack for conjuring fun in a laughter-free vacuum may be the ultimate test of a comic
performer. And in "Screwed," a confusedly misconceived hybrid of interracial
buddy comedy and imitation Marx Brothers farce, Danny DeVito is the only cast member who
succeeds in making something out of the movie's nothing of a screenplay. As Grover
Cleaver, a bushy-haired undertaker who gets drawn into a kidnapping scheme, Mr. DeVito
huffs and mugs and waddles through his role like a happy mad scientist whose maniacally
gleaming eyes suggest he could be imagining a chorus line of lab rats doing a striptease.
When we first encounter Grover, he is hard at work in a morgue, having just extracted a
pet rock from a dead body. Grover proudly displays an exhibit of other items he has
removed from corpses, including a television clicker and "a perfectly good
comb." As a sideline, this character, who is addicted to reruns of "Hawaii
Five-O," during which he proudly recites every line of dialogue a second ahead of
time, is vice president of the Jack Lord fan club.
Just how and why Grover is lured into this kidnapping plot is too boring to go into.
Suffice it to say, he is offered a large sum of money to find a matching corpse on which
another character's identification will be planted. The body Grover selects to impersonate
a much younger and healthier man happens to be that of an ancient white-bearded dwarf. In
his every grunt, eyebrow twitch and stumbling step, Mr. DeVito conveys the frantic sense
of the absurd that is missing from the rest of this hectic mess of film.
Next to Mr. DeVito's Grover, the other performers seem hopelessly earthbound. Norm
Macdonald (who delivered the "fake news" on "Saturday Night Live") and
Dave Chappelle, the comics who have to carry the movie, are much-too-cool cookies who have
little buddy-buddy chemistry and no apparent knack for broad physical comedy.
Mr. Macdonald's character, Willard Fillmore, is an oppressed servant of Virginia Crock
(Elaine Stritch), a tyrannical baking tycoon and flinty tightwad whose monumental
nastiness gives new dimensions to the term "queen of mean." She has a vicious,
contrary little dog named Muffin that only behaves nicely when commanded to attack.
Mr. Chappelle is Willard's best friend, Rusty, the proprietor of a fast food emporium
in Pittsburgh. Before the movie's over, their scheme to kidnap Muffin and ransom the
yapping little monster for a million dollars takes a dozen zany hairpin turns.
The film was written and directed by Scott Alexander and Larry Karaszewski, the team
whose innovative screenplays include "Ed Wood," "The People vs. Larry
Flynt" and "Man on the Moon." It's hard to believe that the weak screenplay
for this film, with its stale double-entendres and would-be hip remarks like, "He
talks like a black man named Chip," was written by the same two people.
Mr. Alexander and Mr. Karaszewski are working on a movie biography of the Marx
Brothers. If this film is a dry run for that project, they clearly have their work cut out
for them.
-- Stephen Holden
[ RATING: 1 out of 5 stars ]
As bad as the title, and much longer.
Willard Fillmore (Norm MacDonald) has the misfortune to work for slave driver Miss Crock
(Elaine Stritch, in what must be the low point of an estimable career on stage and
screen), the stingiest pastry billionaire in Pittsburgh. She won't even buy Willard a new
uniform, and gives him one of her own mince pies for Christmas. Worse still, Willard
overhears Miss Crock and her trusted business associate Chip Oswald (Sherman Hemsley)
planning to fire him. So Willard and his moron pal Rusty Hayes (Dave Chapelle) cook up a
plan to kidnap Miss Crock's beloved dog, Muffin, and hold him for ransom. The plan is, of
course, an unmitigated disaster. Muffin escapes and runs home. Miss Crock assumes Willard
has been kidnapped and, naturally, has no intention of ransoming him. Gravel-voiced
detective Dewey (Daniel Benzali) couldn't find the right tree to bark up if it fell on
him, and Willard and Hayes' attempts to salvage the ever-worsening situation are
predictably ineffectual, especially after Hawaii Five-0-obssessed morgue attendant
Grover Cleaver (Danny DeVito) is added to the mix. Written and directed by Scott Alexander
and Larry Karaszewski, who scripted ED WOOD and THE PEOPLE VS. LARRY FLYNT, this idiotic
mess of a movie is a discredit to all involved it doesn't even have the decency to
be horrifyingly funny, unless you're tickled by the fact that the main characters have
names sounding like dead presidents, or by such sights as MacDonald's hairy back or
Hemsley in an itsy-bitsy, teeny-weeny swimsuit.
-- Maitland McDonagh
[ RATING: 0.5 out of 5 stars ]
Let's say you're a movie executive. Two of the top writers around come into your office
and pitch the following idea: An oppressed butler who learns that he's going to get fired
accidentally kidnaps himself instead of his boss's dog. Hilarity ensues.
If you were the sensible people that we know you are [or else you wouldn't be reading
this], you would throw these people out on their ears despite their sterling record. But
sadly, in the real life case we're going to be discussing, this didn't happen.
Scott Alexander and Larry Karaszewski recently wrote the brilliant "Man on the
Moon" and "The People vs. Larry Flynt" and one would expect that their
adult stuff would be very good indeed. So, the people at Universal expected a really good
film, especially with the killer cast that they managed to get ahold of.
They didn't get it. Not by a long shot.
Willard Fillmore(Norm Macdonald) is the aforementioned butler. He toils day and night
keeping the home of the evil Miss Crock(Elaine Stritch) neat and tidy without even a
smidgen of thanks, or even a new suit. Things go from bad to worse as on Christmas night,
when he gets a mince pie while her business associate Chip(Sherman Hemsley) gets fifty
grand in cash, he loses it and is forced to spend the night in the doghouse...literally.
Then he overhears Chip suggest that Ms. Crock fire him.
Willard complains to his pal Rusty(David Chappelle) and the latter comes up with a plan
to kidnap Miss C.'s cute-but-nasty dog. Here we get a bit on the gross side, gut it's just
that and not particularly funny. Then the next day, poor Willard finds that the dog has
escaped and he's now thought to be the victim of a kidnapping, which suits Rusty just
fine.
Somehow, Danny DeVito gets involved as Grover, and things get complicated very quickly
as an exasperated detective(Daniel Benzali) gets deeper into the case. Soon the cops are
almost as sick of this thing as we are. It's really amazing how quickly we lose out
sympathy for Willard, and that's death to any film. Avoid this like the plague.
--Eric Lurio
[ RATING: $1.00 ]
IN SHORT: Like a 90 minute long bad Saturday
Night Live skit
Poor Norm MacDonald. Fired from Saturday
Night Live in mid-season when the West Coast suit-in-charge decided that he
"wasn't funny." Making teevee commercials. Waiting for that perfect writing
team...which Scott Alexander & Larry Karaszewski might have been if they
had stuck to serious stuff like Ed Wood, People vs. Larry Flynt and Man
on the Moon. Instead, they choose to make their directorial roots by strip-mining the
lackadaisical comedy motherload they've used for Problem Child and Problem Child
2 and written for video (but released on screen) That Darn Cat. Those flicks
weren't funny, and neither is this one. The only folk getting screwed are those that are
paying hard cash.
To be honest, that doesn't include me. The movie
studio did not screen this flick for the press, but there was a way for me to get in to
see this flick a day early, at ten-thirty in the morning in a private screening room, and
I took it. We know from past experience that these are not the best circumstances to watch
comedy but, hey, I thought MacDonald was funny on SNL and Danny DeVito can
make rust shine. Half a gallon of caffeine and I was ready to rock.
Screwed nearly put me to sleep. Literally.
The story of Willard Fillmore (MacDonald), manservant to the infinitely rich, and just as
nasty, cookie baking old coot who rewards him at Christmas with a pair of promotional
cufflinks and an extra heaping of verbal abuse. Norm decides he wants cash, and with best
bud (Dave Chappelle), conspires to kidnap the old witch's beloved dog for a million
dollars ransom. They are inept, to say the least. The dog takes it on the chin worse than
in a Farrelly Bros. movie and still comes out on top. That means Norm could stand accused
. . . of kidnaping himself. Knowing he can't be in two places at the same time,
like in the witness chair and in the defendant's docket, Norm and Dave bribe pasty faced
coroner Grover Cleaver (DeVito) to fake a dead body for him.
I kinda liked the play on the Presidential names as
a gag. Too bad it's so underdeveloped. As for the rest, there are perhaps half a dozen
gags in this thing that didn't make it into the trailer or television commercial. A pair
or three are genuinely funny but, even with the
I-Wish-I-Was-fourteen-So-This-Would-All-Seem-Funny head screwed in place, almost all of Screwed
was on a level fit to cure insomniacs of their problem. The biggest problem for me, and
this is after I shut down the "it doesn't have to make sense to be funny"
sensors in the back of the cerebellum, was that jokes involving major physical injury were
forgotten at the snip of a pair of editing shears. You watch, if you're silly enough to
pay for this dud, what the dog does to Norm's hand. Then watch what happens in the next
scene. We'll see more of this "do the joke, forget that you did the joke in the next
scene" next week, in a different flick.
On average, a first run movie ticket will run you
Eight Bucks. Were Cranky able to set his own price to Screwed, he would have
paid...$1.00
Screwed would have offered more comic joys
if the competing film Whipped had been released as scheduled, in direct competition. Think
of it: Whipped and Screwed in the same week. It child have been a comic reporting field
day. As is, it's just zzzzzzzzzzzzzzzzzz.
-- Chuck Schwartz
[ RATING: 1.5 out of 5 stars ]
"Screwed," starring Norm Macdonald and Dave Chappelle, has about as many
laughs as it has directors. Scott Alexander and Larry Karaszewski (screenwriters for
"The People vs. Larry Flynt" and "Man on the Moon") co-directed this
zany comedy about a bungled kidnapping plot. Macdonald (Willard Fillmore) and Chappelle
(Rusty Hayes) attempt to kidnap a crotchety old woman's adored puppy. When they fail, Ms.
Crock (veteran stage actress Elaine Stritch) thinks the kidnappers took Fillmore. A madcap
montage of failed sight gags and jokes ensues.
Danny DeVito (Grover Cleaver) is wasted as a slow-witted mortician enlisted to help
them get away with the ransom. A few scenes are funny, but this so-called comedy has fewer
laughs overall than most dramas. Chappelle is somewhat amusing in a vacuum of humorless
gags and riffs; Macdonald simply seems uncomfortable. The movie is set in Pittsburgh, but
there isn't one genuine western Pennsylvania accent, only mangled attempts at a Steel City
dialect. Most scenes are so slapdash they feel like they were shot in one take. You may
think about renting the video a month from now, but don't do it, unless you want to
getyou guessed it"Screwed."
-- Patrick Rooney
[ RATING: 14 out of 100 ]
Probably the first film Scott Alexander and Larry Karaszewski ever wrote together
in the fourth grade, say Screwed is virtually unrecognizable as the
work of the men who penned Ed Wood, The People vs. Larry Flynt and Man on
the Moon. It plays more like a first draft the Farrelly Brothers might use to line a
birdcage. (There's the requisite assortment of jokes about scat and semi-naked old ladies,
and even a man-vs.-lapdog wrestling match.) But the dim-witted, uninspired script is only
half the story next to nothing goes right in Screwed.
Alexander and Karaszewski have used this barking dog
to make their directing debut, and it just may end up being their swan song to boot. Star
Norm Macdonald, however sublimely hilarious he might be as a standup comic, is no actor.
The efforts he makes here to laugh, act surprised or panicked, or provide expository
dialogue, are embarrassingly inept. Fact is, Macdonald's whole delivery is predicated on
an ironic nonchalance which by itself kills any chance that we might find him convincing
playing a character. (Only Bill Murray has ever able to pull that sort of thing off.)
Supporting players David Chappelle, Elaine Stritch, and Daniel Benzali behave as if they
have no idea what their next line is, or why they're in the movie at all.
You can tell it was the fourth grade, because
Alexander and Karaszewski thought it was amusing to misname their characters after dead
Presidents: Willard Fillmore, Rusty Hayes, Grover Cleaver, etc. Fillmore (Macdonald) is a
beleaguered butler/chauffeur for bitchy Pittsburgh millionairess Mrs. Crock (Stritch), who
has made his life hell for 15 years. After she gives him a minced meat pie for Christmas,
Fillmore decides with his chicken-shack buddy Hayes (Chappelle) to kidnap the pampered
family dog and ransom it for $1 million. Naturally, the contrived dominoes start falling
after the dog escapes and returns home and everyone gets the idea that it's Fillmore
himself who's been kidnapped.
The ways that Alexander and Karaszewski come up with
to keep the plot ka-thunking along are beyond asinine. The most basic facts about police
procedure and social reality are ignored, and an already laughless kidnapping comedy
becomes especially hellish thereby. Pivotal set-pieces aren't even shot professionally
the kidnapping of the dog and a later park mugging are so roughly pieced together
from disparate shots you could mistake the result for a Kuleshov montage. Revisiting his Batman
Returns Penguin grunginess, Danny DeVito puts in an appearance as a degenerate morgue
attendant and Jack Lord fan, but even he can't save his scenes from going off like rotten
eggs.
As much as anyone could argue
that Macdonald fails to adapt to the narrative demands of film, the real question lies at
Hollywood's door: Why do brilliantly funny actors and actresses almost always get stuck in
movies that aren't a tenth as witty as they are in person? From Rose McGowan to Denis
Leary, it's an epidemic of talent pissed away on thoughtless, homogenized tosh Screwed
is merely this season's most amateurish example. Macdonald should simply stay out of
movies, for his own sake.
-- Michael Atkinson
'Screwed' a joke for all the wrong reasons
[ RATING: 1.5 out of 5 stars ]
buy tramadol Apache Junction
Even though it was all-too-obviously filmed in
Vancouver, the new comedy "Screwed" takes place in Pittsburgh, and was even
called "Pittsburgh" at one point during its production.
Just be grateful Universal Pictures decided to change its name - Pittsburgh has enough
problems.
Even so, "Screwed" is slightly more tolerable than this week's other major
releases, "Battlefield Earth" and "Center Stage" - unlike those films,
at least "Screwed" seems to know it's bad.
Norm MacDonald ("Dirty Work") stars as Willard Fillmore, the long-suffering
chauffeur of a mean and miserly, but very wealthy, old bakery owner named Miss Crock
(Elaine Stritch).
Willard's father worked under Miss Crock in the same capacity for 30 years, and told his
son to "stay with Miss Crock, and you'll get ahead." But after 15 years of
service, Willard has nothing but a worn-out uniform to show for it.
Sick of his employer's cheap ways, a vengeful Willard devises a scheme to kidnap Crock's
beloved little dog and ransom it for $1 million. However, when Willard and his buddy Rusty
(Dave Chappelle) steal the pooch, the plan quickly backfires.
What follows is a game of musical kidnappings involving Willard and Rusty, a scruffy
mortician (Danny DeVito) and Miss Crock's lawyer (Sherman Hemsley), while a detective
(Daniel Benzali) investigates.
Needless to say, this is another prime example of the idiot plot, where everything would
be resolved within five minutes if every character wasn't a total dolt.
"Screwed" marks the directorial debut of writing partners Scott Alexander and
Larry Karaszewski, who wrote two schlocky "Problem Child" comedies, before
graduating to more sophisticated fare such as "Ed Wood," "The People Vs.
Larry Flynt" and "Man on the Moon."
Unfortunately, "Screwed" is a lowbrow return to their "Problem Child"
days, and exhibits the chaotic feel of being sloppily thrown together.
Veteran stage actress Elaine Stritch tries valiantly, and delivers the closest thing to a
performance despite a demeaning role. After appearing in the laughless "Drowning
Mona," you have to wonder what DeVito is doing appearing in his second stinker within
three months.
DeVito has proved himself a capable actor ("Tin Men," "Living Out
Loud"), a skilled director ("The War of the Roses," "Hoffa,"
"Matilda") and a first-rate producer ("Pulp Fiction," "Get
Shorty," "Erin Brockovich"). He's definitely become a heavy hitter in the
film industry, so you have to wonder why he's tarnishing his reputation by appearing in
dreck such as "Screwed.
MacDonald, on the other hand, again shows no visible talent, and certainly doesn't merit
being a Hollywood leading man. He's simply not that funny. And neither is
"Screwed."
-- Chuck O'Leary
[ RATING: 1.5 out of 5 stars ]
Rarely does a film like Screwed come
across my desk: a film so utterly easy to insult, from its title on in, that writing the
review is an absolute piece of cake. Somehow, the producers of this film chose the title Screwed
over such options as Ballbusted, Foolproof, and Pittsburgh, probably
hoping to attract a teenage crowd with its would-been-risque-if-not-for-the-likes-of-S.F.W.
title and its screwball Norm-MacDonald-needs-better-work antics. Sadly, this marketing
technique will probably succeed and result in, well, a lot of people feeling screwed.
Screwed concerns a butler (Norm MacDonald) and a chicken wing vendor (David
Chapelle) who team up to try to, well, screw a bitter old hag out of five million dollars.
Needless to say, the plan goes south, and the two have to run all over Pittsburgh (which
is obviously not really Pittsburgh) to get away with their perfect crime. Norm
sleeps with some girl in a bit part that should have been bigger, David convinces good old
Norm to fake his death with the help of a mortician (Danny DeVito), and all the while we
watch the hag bitch and gripe, not really caring
The antics in Screwed are childish, the humor pandering to a sub-human chord that
will resonate with no one with an IQ over 80. Norm MacDonald once again shows that the
pinnacle of his career will most likely be doing the Weekend Update on SNL (a shtick which
has been stolen and improved upon by "The Daily Show" on Comedy Central, a job
Norm MacDonald should campaign for vigorously). David Chapelle shows that his comedic
talents lie in stand up and not physical antics. The pleasure that Screwed offers
is in the supporting role of DeVito, which is pretty much only a pleasure because watching
DeVito in such a darkly comic role is so very different from the average part you see him
pigeonholed into.
Screwed is the perfect title for this movie if only because, after watching it, you
feel screwed six ways from Sunday by virtue of how absolutely wretched this pitiful excuse
for a film is. Writer-directors Scott Alexander and Larry Karazewski, the writing team
behind Milos Forman's last two flicks, Man on the Moon and The People vs. Larry
Flynt, should probably stick to writing other peoples' movies. Behind the camera, they
prove that directing is not their strong suit, and that the input that others add to the
script proves invaluable to the end product. Letting them direct, it seems, just gets a
lot of people screwed.
-- James Brundage
'Screwed': Just add an 'Up' to the title
[ RATING: D- ]
With Screwed, the title says it all.
As the paying customer, you will find yourself besieged with stale
humor, tasteless jokes and predictable twists. This is one mirthless
comedy.
Screwed starts off as a Scrooge update. It's Christmas Eve in
Pittsburgh, and cupcake mogul Virginia Crock (Elaine Stritch) is
making life miserable for everyone. No one suffers more than
second-generation chauffeur Willard Fillmore (Norm MacDonald), who
also serves as butler and dogwalker. The canine is Muffin, a yippy
Pomeranian who barks whenever hapless Willard looks at him.
Willard and hot-dog vendor Rusty (Dave Chappelle) stupidly devise a
plan to dog-nap Muffin and demand ransom. Everything backfires, with
the audience always miles ahead of the bumbling criminal wannabees.
You get the feeling that most of the people involved in this tiresome
flick owed someone a favor. Danny DeVito shows up as a mad mortician
who worships Hawaii Five-O and is vice president of the Jack Lord Fan
Club. It might have seemed funny on paper, but, like everything else
in Screwed, it's belabored on screen.
Directors/screenwriters Scott Alexander and Larry Karaszewski, who
co-wrote Ed Wood and The People Vs. Larry Flynt, completely strike
out this time, with a movie that even the legendarily shameless Mr.
Wood would have shelved. (Speaking of which, the "new" film's
copyright is 1997, suggesting that it, understandably, has set on the
shelf for a bit.)
Mr. MacDonald performs with his patented comic innocence, while Mr.
Chappelle fails to make desperation funny. Ms. Stritch is pro enough
to wring some laughs from the clichéd role of the rich harridan.
Maybe "laughs" is too optimistic; the best response she gets is a
couple of half-smiles. But considering the rest of Screwed,
half-smiles count as jewels.
-- Philip Wuntch
Sledgehammer Humor and Numskulls
[ RATING: Negative ]
"Screwed": Thats exactly what
youre likely to feel if you try to watch this relentlessly unfunny loser, a
candidate for the short list of the years worst major studio release.
Pros like Elaine Stritch and Danny DeVito are always
fun, but even their presence cant make a dent in this disaster.
Amazingly enough, it was written by Scott Alexander
and Larry Karaszewski, who have "The People vs. Larry Flynt" and "Man on
the Moon" to their credit--and, alas, chose to make their directorial debut with this
picture.
Their premise is that in these prosperous times a
chauffeur-houseman (Norm Macdonald) would stick it out 15 years working for an imperious,
cranky Pittsburgh cookie tycoon, Miss Crock (Stritch), whos such a skinflint that
Macdonalds Willard is still wearing the same uniform he inherited from his late
father along with the job. At last reaching the end of his tether, Willard decides to
snatch his employers cherished little dog and hold it for a huge ransom.
Naturally, the scheme misfires big time, with
Willard and his pal Rusty (Dave Chappelle) getting into increasingly bigger trouble.
Now Willard and Rusty are none too bright, to put it
kindly, and while many a comedy has turned upon the antics of numskulls, these two are
colorless and charmless and simply too stupid and dull to care about. Dummies have to seem
somehow endearing if were to be concerned with what happens to them, but this pair
is hopeless.
Sherman Hemsley is Miss Crocks top aide and
DeVito is a weirdo morgue worker who also happens to be an officer of the Jack Lord Fan
Club. Daniel Benzali is the police detective trying to sort everything out.
Alexander and Karaszewski bring a sledgehammer touch
to their script, which does it no favors. The only smart thing about "Screwed"
was Universals decision not to screen the picture in advance for the news media so
as to avoid scaldingng-day reviews.
-- Kevin Thomas
Pooch-nap farce merits permanent spot in the
doghouse
Are comic possibilities endless, or is it
simply that this film won't end?
[ RATING: 2 out of 5 stars ]
Apparently Screwed has languished on the shelf for
a couple of years.
Alas, like a no-name tin of Vienna sausages packed
in that weird gummy glop, time has not improved the quality of a fundamentally
unredeemable product.
Willard (geddit?) Fillmore (Norm Macdonald) is,
like his deceased father before him, the long-suffering butler of the nasty Miss (geddit?)
Crock (Elaine Stritch), founder and CEO of a Pittsburgh pastry company bearing her name
and image -- albeit a nice old granny image.
Crock is no sweet old pie maker. At Christmas, she
gives her sycophantic 2-I-C Chip Oswald (Sherman Hemsley) his favourite gift -- $50,000 in
cash -- while Willard is handed a Crock pie and a pair of promotional cufflinks. When he
has the temerity to complain, he's banished to the literal, snow-covered doghouse of
Crock's beloved and equally obnoxious pooch Muffin, only to overhear he'll be fired on
Boxing Day.
Drowning his sorrows at his pal Rusty's (Dave
Chappelle) dead-end chicken joint, the two cook up a plan to kidnap the dog and collect a
$1-million ransom.
Needless to say, things don't work out as planned,ng up the well-trod turf of the multiple bungled kidnapping farce. The comic
possibilties are endless. Or does it just seem as it will never end?
Along the way, a creepy mortician (Danny DeVito as
Grover, geddit? Cleaver) becomes involved, while Detective Tom Dewey (Daniel Benzali) is
enlisted to crack the case(s).
There are a couple of laugh-out-loud sight gags
(and many terrible ones) here, although we're talking about the school of
being-whacked-over-the-head-with-a-bedpan sort of stuff. But the writing is almost
unremittingly stinko. Farce -- including the standard dinner theatre Feydeau variety --
takes considerable skill, craft, timing, nuance, etc., and this baby is nowhere close. I
do like the idea of shooting locale Vancouver having to pose as Pittsburgh in pursuit of
the offshore Yankee dollar. That's funny.
There are long moments of sheer embarrassment for
the impressive cast of comic veterans, who must have experienced some bizarre form of mass
hallucination when they read the script. And you've got to wonder about the direction,
while we're at it. Scott Alexander and Larry Karaszewski, who also bear responsibility for
the screenwriting, have low-key, deadpan ace Macdonald screaming through half the scenes.
Norm does not do scream well.
One thing is for certain. Here is a movie that
fully lives up to its title -- if you paid to get in.
-- Alan Kellogg
[ RATING: Positive ]
Lest we forget that--before penning such
high-minded bio pics as Ed Wood, The People vs. Larry Flynt and Man on
the Moon--Scott Alexander and Larry Karaszewski were the brains behind two Problem
Child pictures, along comes Screwed, a goofy black-ish comedy that brings the
boys back to their farcical roots.
And this time they also direct. Alexander/Karaszewski veteran Norm Macdonald plays Willie,
a butler for Pittsburgh baked goods tycoon (and all around bitch) Ms. Crocker . . . er, I
mean, Ms. Crock (Elaine Stritch). One day, tired of taking her shit, and privy to the
knowledge that he's about to be fired, he hatches a plot with his buddy Rusty (Dave
Chappelle) to kidnap the old lady's dog and hold it for a million dollars ransom.
When the dog gets away from them and returns home, Ms. Crock and the police misinterpret
the ransom note to mean that butler Willie was kidnapped. Willie and Rusty adapt to the
change in plans and now try to get Ms. Crock to pay to get Willie back, something the
stingy old bat is reluctant to do. Naturally, complications ensue, Danny DeVito and
Sherman Hemsley enter the picture, guns are fired, more kidnappings occur . . . you can
imagine.
So is it funny? Yes. Not always uproariously so, but Willie and Rusty are sufficiently
inept that their hijinks become ever more amusing--Rusty tends to whack people over the
head with the nearest lamp whenever he gets nervous, and Willie gets a chance to
comedically shine when he gets in a cage and pretends to be held captive by tormenters who
throw dog food at him and urinate on him.
This is all familiar ground of course. The dog-related slapstick is straight out of the
raunchier and funnier There's Something About Mary, and all the kidnapping stuff
echoes the more complicated and funnier Danny DeVito pic Ruthless People. But the
film is amiable enough and clever enough for a rainy Saturday, and more than enough so for
cable or video. Expect to have a good time.
[One oddity worth noting: all the kidnappers in this film are named after former
Presidents, and the side characters, with the exception--I think--of Ms. Crock, seem to
take their names from presidential wives, challengers, or assassins, and in a way that
somewhat reflects their role in the narrative. Why? No idea. Just thought I'd mention it.]
-- Kerry Douglas Dye
[ RATING: 0.5 out of 4 stars ]
Since getting booted from Saturday Night Live's
"Weekend Update" news desk in 1998, Norm MacDonald has pursued a bevy of
questionable projects. Currently starring in the creatively titled Norm Show, the
luckless comedian recently provided the voice of Lucky in Dr. Dolittle and had a cameo in
the Andy Kaufman biopic Man on the Moon. And don't forget his first starring role in Dirty
Work alongside the likes of Jack Warden and Don Rickles.
Screwed went through a slew of title changes
and at one time or another was officially referred to as Pittsburgh, Ballbusted,
and Foolproof. Finally, this dubious marquee was selected, which prompted Entertainment
Weekly's "The Hot Sheet" to wryly joke "And the question is: What do
you call it when a Norm MacDonald movie goes up against Gladiator?" The story follows
Willard Fillmore (MacDonald), a pissed off chauffeur, who decides to even the score with
his boss (Elaine Stritch). In a stroke of questionable brilliance, Fillmore decides to
kidnap her prized pooch with the help of his stumbling buddy (an over-the-top David
Chappelle) and a creepy mortician (Danny DeVito). Hijinks ensue when the dog escapes and
the boss lady thinks Fillmore himself has been nabbed. Needless to say, the audience is
inundated with the kind of limpid humor we've come to expect from fellow SNL alumni
Adam Sandler, the late Chris Farley, and Will Ferrell. MacDonald plays himself as
usual and Chappelle gives a wild red-eyed performance that makes you wonder if he
still thinks Half Baked is in production.
Written and directed by Ed Wood screenwriters Scott
Alexander and Larry Karaszewski, Screwed is the duo's first outing at the helm
and it shows. The pair delivers none of the rich, nuanced characters or bizarre yet
true-to-life humor that were the hallmarks of their last two scripts, The People vs. Larry
Flynt and Man on the Moon. Unlike the Farrelly brothers, who coyly created low-brow
comedy with a heart in There's Something About Mary, Alexander and Karaszewski wallow in
overused gags and stupider-than-thou jokes that are neither ironic or insightful. Does the
world really need more poop references?
After watching this thankfully brief comedic
abomination, one can't help thinking it was conceived during a 14-martini lunch. Imagine
it: As the writing/directing duo scrawled hasty notes on wet napkins, MacDonald nodded
vigorously, a sign that the filmmakers took as assent, but was actually only a cue to the
waiter to bring another round. In its final form, Screwed makes you yearn for a
martini or four yourself, if only to dull the headache you'll get while watching this
sloppy mess.
-- Nevin Martell
[ RATING: Negative ]
At once brazenly slapdash and desperately
frenetic, Screwed is latenight cable TV filler disguised as a feature film.
Dumped into theatrical release May 12 without benefit of press previews, this lamentably
lame comedy may vanish from most megaplexes before Memorial Day and almost certainly will
appear on vidstore shelves by summers end.
Pic marks the co-directing debut of Scott Alexander
and Larry Karaszewski, the screenwriting duo behind Ed Wood, The People
vs. Larry Flynt and Man on the Moon. At first glance,
Screwed might appear to have more in common with a couple of the pairs
less prestigious efforts, Problem Child and Problem Child 2, but
dont be fooled: The latter two comedies were fitfully amusing guilty pleasures. By
sharp contrast, Screwed provides only a few random laughs separated by long
periods of mirthless tedium. Indeed, some stretches are so painfully unfunny, ticket
buyers may actually find themselves feeling sorry for the folks onscreen.
Norm Macdonald appears stiff and uncomfortable in
the lead role of Willard Fillmore, the overworked and underpaid chauffeur of a miserly
cookie mogul, Miss Crock (Elaine Stritch). A thoroughly nasty old biddy, Miss Crock treats
Willard as an indentured servant and behaves as though shes doing him a favor by not
treating him worse.
Willards father worked himself to death for
the ungrateful crone. After 15 years of service, Willard appears ready to follow in his
fathers footsteps.
Famished for revenge, Willard and buddy Rusty P.
Hayes (Dave Chappelle) hatch a plot to kidnap Miss Crocks beloved pet, a small dog
whose bark isnt nearly as a bad as his bite. Not surprisingly, the dog outwits the
would-be abductors and escapes from their truck.
But when Miss Crock discovers the ransom note --
along with all the blood that gushed from Willards hand when the dog gnawed him --
she assumes that Willard has been snatched.
At first, the tight-fisted cookie mogul is
unwilling to pay the $5 million ransom. But when her refusal proves to be a public
relations disaster, she reluctantly agrees -- with a little prodding from Chip Oswald
(Sherman Hemsley), her chief business adviser -- to fork over the money.
Willard and Rusty hope to cover their tracks after
grabbing the cash by faking Willards death. To this end, they try to obtain a corpse
from zany coroner Grover Cleaver (Danny DeVito), whos promised $100,000 for his
help. One thing leads to another, the ransom pickup is botched, Willard winds up in a
hospital bed -- and the coroner is implicated in the faux kidnapping. Nothing good comes
of this.
Additional complications are introduced serving
only to make the pic longer, not funnier. Although it lasts merely 81 minutes -- and, mind
you, thats counting all of the closing credits -- Screwed feels padded
and repetitious. Sporadically, Alexander and Karaszewski toss a few gross-out gags into
the mix. But theyre too timid -- or too eager for a PG-13 rating -- to try anything
more outrageous than a geyser of blood from Willards dog-bitten hand or a few odd
objects retrieved from colons by the cheery Grover. Instead of qualifying as black comedy,
Screwed often comes off as dingy gray silliness.
Macdonald was showcased to better advantage in his
first starring vehicle, Dirty Work -- which, come to think of it, also was
withheld from critics before itsng day. Chappelle makes an adequate foil and has a
few modestly amusing moments, but Stritch sustains a single, shrill note of brassy
bitchiness throughout.
DeVito doesnt show up until a third of the
way into Screwed as the demented coroner with an inexplicable passion for
Hawaii Five-0. Even so, DeVito manages to do a lot more for the pic than the
pic does for him. As the cop in charge of the kidnapping case, Daniel Benzali walks around
looking like a man with a bad taste in his mouth or an actor who knows hes made a
bad career choice.
Drab cinematography by Robert Brinkman doesnt
exactly enhance the less-than-festive mood. Other tech credits are no better than
necessary.
-- Joe Leydon
City's the loser in low gross-out comedy
[ RATING: 1.5 out of 5 stars ]
Well, at least they changed the title.
"Screwed" was originally known as
"Pittsburgh," which is where this gross-out comedy takes place. The city shield
is accurate. So is the WPGH-TV logo. And, yes, that is a Post-Gazette newspaper box
getting battered in a car chase.
But the filmmakers shot the movie in Vancouver,
giving due mention to the money-saving British Columbia Production Services Tax Credit
(take THAT, Dawn Keezer!).
And that's just the first insult to our fair
municipality. The movie features so many grungy locations that it could be a promotional
ad for the Fifth and Forbes project. Thanks, we needed that.
And then there's the film itself, which never
aspired to be smart but might have had a chance for ingenious. Or maybe not. The
screenplay sat for five years until Norm Macdonald agreed to do it. When Macdonald is the
best you can do, God is surely trying to tell you something -- and it isn't that you
should cast Dave Chappelle as Macdonald's sidekick.
OK, I understand that their characters are not
rocket scientists and cannot be if the movie has any chance to work. Macdonald plays
Willard Fillmore (the movie's idea of wit is to use names with presidential connotations),
apparently the one and only servant of the rich bakery magnate Virginia Crock (Elaine
Stritch). I can't say she treats him like a dog because her pooch, Muffin, fares much
better than the overworked, underappreciated Willard.
Why doesn't he just quit? I told you he had to be
stupid. Commiserating with his pal Rusty P. Hayes (Chappelle), who owns an eatery called
the Chicken Hole, they hatch a plan to kidnap the mutt and ransom him for a million
dollars.
But they can't do anything right. Muffin escapes
before they realize it and returns home. So when Mrs. Crock finds the ransom note, she
thinks Willard has been kidnapped. That's a relief -- she doesn't feel the need to pay
THAT ransom.
But what a tangled web we weave when first we screw
up royal. One mistake leads to another, and there's a certain demented logic to the
plotting as our heroes just keep digging themselves a bigger hole, dragging others in with
them.
Danny DeVito, wearing a very black mustache and
beard and wisps of hair that look like soot falling across his forehead, plays a ghoulish
morgue employee who gets sucked into the scheme. His appearance takes some getting used
to, especially considering all the corpse jokes in hisng scene, but his skill at
comic perversity eventually draws a few chuckles.
Stritch, the Broadway stage veteran, brings Miss
Crock to life with sass and vinegar. Kidnapping her, as Willard and Rusty briefly
considered, would be like trying to ransom Red Chief. She's a nasty old bat, but her
single-minded ruthlessness and unwillingness to take any flak from anyone is almost
admirable in a capitalist sort of way. Daniel Benzali and Sherman Hemsley are good in key
supporting roles.
But when Hemsley comes off as restrained, you know
someone else is overdoing it. Writer-directors Scott Alexander and Larry Karaszewski say
they wanted to re-create the anarchic comedies of the '30s and '40s, citing in particular
the work of W.C. Fields -- an ordinary guy getting into trouble.
Yeah, but Fields hit back. He was irreverent,
sarcastic, scheming, often incompetent, but he was seldom lamebrained. Macdonald and
Chappelle bring nothing to the table but fast talk, dim wits and the ability to yell a lot
when things go wrong. A pair of skillful physical comedians might not have made this a
good movie, but it might have been at least tolerable.
The names Alexander and Karaszewski may sound
familiar. They wrote the screenplays for a trio of acclaimed biopics -- "Ed
Wood," "The People vs. Larry Flynt" and "Man on the Moon," each
of which contained comic elements on a somewhat higher plane. Here, it's a matter of how
low can you go.
Hey, and next time, guys, pick on Buffalo.
-- Ron Weiskind
Norm's talent wasted
[ RATING: Neutral ]
Norm Macdonald is a talented comedian with an
unique charisma. He was great on Saturday Night Live and is entertaining enough on his ABC
sitcom Norm.
It was only a matter of time until someone figured out just exactly what Macdonald's
talents were and showcased them in a major motion picture.
Possibly, Macdonald's next project will be that film. Screwed is certainly not it.
The screwball comedy isn't very funny to begin with, so it doesn't matter if they had cast
Macdonald, Jim Carrey or Rick Moranis. Yet it surely does not help that Macdonald seems
like he is acting against his will in every scene.
The Ottawa-raised comedian stars as Willard, a disgruntled butler who finally cracks after
years of abuse by a crusty millionaire. His pal Rusty (Dave Chappelle) encourages him to
teach Miss Crock (Elaine Stritch) a lesson by kidnapping her prize pooch.
The dog, however, finds its way home but the ransom note remains. As Willard is the only
thing missing, it appears as though he has accidentally kidnapped himself!
Willard and Rusty are in for a bungle of briefcases, bodies and Keystone cops as they try
to get a $5-million ransom.
Writers-directors Scott Alexander and Larry Karaszewski were apparently attempting to
recreate kooky comedies of the '30s and '40s. The 1992 John Turturro farce Brain Donors
accomplished this admirably. In comparison, Screwed is merely a below-average addition to
the recent spate of buddy comedies.
The supporting cast includes Emmy-winner Stritch, Sherman Hemsley, Daniel Benzali and
Danny DeVito as an imbalanced mortician. His creepy character keeps a menagerie of items
found in corpses. DeVito is responsible for two or three of the dozen laughs you'll count
during Screwed.
Alexander and Karaszewski can write better material than this. Their scripts include Ed
Wood, The People vs. Larry Flynt and even the comparatively hilarious Problem Child. But
Screwed, while more tasteful than Dirty Work, certainly won't appeal to admirers of those
flicks. It could only appeal to Macdonald zealots. These fans found Dirty Work to be
infinitely entertaining experience.
To them I say: Enjoy Screwed. At least someone should pleasure from the movie and it's
about the same quality as your beloved Dirty Work. We'll leave it to them to debate which
film is better, Screwed or Dirty Work. The rest of us will wonder which is worse.
-- Tyler McLeod
What's new? Macdonald stars in another bomb
[ RATING: Negative ]
Screwed? You were if you paid money to see it.
Screwed is another Norm Macdonald joke movie that isn't funny. The best thing about it?
The coming attractions trailers before the movie starts.
What a surprise, Macdonald starring in another dud.
In the latest one, he plays a chauffeur who tries to kidnap the dog of his cranky boss. By
some quirk of stupidity, folks decide that the chauffeur has been ransomed when he goes
missing and the dog returns.
Annoying
A series of really annoying, obnoxious and resoundingly dumb scenes follow, and there's
nothing you can do about it.
It's clear that there's nothing co-directors Scott Alexander and Larry Karaszewski feel
they can do about it.
They more or less let the 'slapshtick' run the gamut from cornball to disgusting.
Certainly, the dog-bites-Norm sequence is a bloody mess, figuratively and literally. And
it's not even remotely snicker-worthy unless you really hate Macdonald.
Alexander and Karaszewski can't even blame the screenwriters, since they are them.
And they aren't necessarily bad ones either. Well, three out of four isn't bad.
They wrote Ed Wood, The People Vs. Larry Flynt and Man On The Moon before they got
Screwed. I hope they were nice to people on the way up.
There are others in the career-limiting Screwed department.
David Chappelle, a reasonably bright comic, plays Macdonald's sidekick. He should be
embarrassed, but he probably knew the job was dangerous to his future when he took it.
Elaine Stritch, who portrays the rich dowager Miss Crock, is apparently willing to do
anything for money. Danny DeVito has a cameo as a mad undertaker. He is apparently willing
to do anything, and he doesn't need the money.
No content
And then there's Macdonald, a Canadian without content.
His last witty thing was the Saturday Night Live fake news. He's obviously good at faking
it.
What he can't do is act, confirmed previously in Dirty Work and currently on the TV series
The Norm Show.
Somebody, please! Give Macdonald a full-time cable talk show, and put us out of our
misery.
-- Bob Thompson
Enjoyable comedy 'Screwed' merits better than eponymous treatment it has
received
[ RATING: 3 out of 4 stars ]
Elaine Stritch is one of those venerable Broadway
divas who, for some reason, never made it in movies. Others include those two powerhouses,
Carol Channing and Chita Rivera; the wonderful Blythe Danner (Gwyneth Paltrow's look-alike
mom); and relatively younger stars like Roxanne Hart and Swoosie Kurtz.
But of them all, Stritch, with her booming, boozy
voice and impeccable comic timing was the one who was made for CinemaScope and
Technicolor. And it took the wild writing team of Scott Alexander and Larry Karaszewski --
whose movie scripts include "Ed Wood," "The People vs. Larry Flynt"
and "Man on the Moon" -- to finally put Stritch at the center of a film. In
their debut as film directors, the pair has cast the actress in "Screwed" as a
gruff, savvy old business woman who has wheeled and dealed one merger too many.
Stritch's Virginia Crock is the head of the
self-named Miss Crock's Cookies of Pittsburgh, and even though she's worth a gazillion
dollars, she's so tight with money that she has only one home employee -- one Willard
Fillmore (Norm Macdonald) whom she shamefully overworks and verbally abuses, to boot.
Willard has worked for Miss Crock for 15 years now,
following in the footsteps of his father, who worked for her for 30 years before dropping
dead. Willard does everything around her mansion, except service her sexually the way his
dad did. Maybe that's why she holds him in such low regard.
Well, come Christmas, when Miss Crock refuses to
buy Willard the new butler's uniform that he needs, he decides it's time for a little
revenge. With his pal Rusty Hayes (Dave Chappelle), Willard thinks up the plot for a
kidnapping.
At first, Rusty wants to kidnap Crock herself.
"We'll hold the old bag for ransom," he says. "And if they don't come
through, we'll start hacking off her fingers -- first her thumb, then the pointer and then
the old nasty one."
But Willard's idea is to steal Miss Crock's awful
pet dog, Muffin (who, incidentally, is one of the funniest canine brats to take over the
screen in ages), leaving a ransom note behind. But when Muffin escapes, returning home,
and Miss Crock finds the note, she and the director of her company, Chester
"Chip" Oswald (Sherman Hemsley), assume that it's Willard who has been kidnapped
and are reluctant to deliver any ransom money.
"Screwed," which wasn't screened in
advance because its studio -- Universal -- probably didn't "get it," is a
fractured version of an O. Henry tale which spins so out of control that Willard and Rusty
have to go to a deranged morgue worker named Grover Cleaver (Danny DeVito) to come up with
a body so that Willard can fake his own death. Grover delivers the dead body of a
septuagenarian midget with a full beard and long hair. (Willard is young, about 6 feet
tall and clean shaven). Doesn't matter, though, because by now the police are led to
believe that the dead midget was Willard's kidnapper.
And on and on it goes, becoming more unhinged as it
keeps making wrong turns. "Screwed" is an insane comedy -- not a great one, but
a good one, and certainly better than most junk routinely screened and screened again by
the studios. (Anyone here remember "American Pie"?) You'll find nothing funnier
or more original, for example, than the scene in which DeVito exhibits the things he's
extracted from the cavities of cadavers.
Alexander and Karaszewski manage to play tribute to
"Hawaii Five-O" and the late Jack Lord by making DeVito the inexplicable
president of The Jack Lord Fan Club. And the duo also plug their own "Ed Wood"
movie by including a quick clip from Wood's "Glen or Glenda?" cult film.
But the choice stuff goes to Stritch, who milks
every laugh line with her bourbon voice. This is the funniest performance by a Broadway
diva since Ethel Merman played a delusional soldier who thought he was Ethel Merman in
"Airplane" (1980), a film with much the same verve and crudeness of
"Screwed."
And, by the way, does that title have anything to
do with the half-hearted release the film has been given?
Just asking.
-- Joe Baltake
DeVito Hits Bottom In Laughless 'Screwed'
[ RATING: Embarrassing ]
Sometimes you don't know whether you're going to
get Good Danny or Bad Danny.
In what I hope was a once-in-a- lifetime
coincidence, two movies featuring Danny DeVitod yesterday, one of his best and one
of his worst. ``The Big Kahuna'' contains one of DeVito's most accomplished performances,
the product not only of a lifetime of acting but also of a life sensitively experienced.
The other, ``Screwed,'' you should pardon the
expression, is a complete misfire. Poor DeVito shouldn't feel singled out. ``Screwed'' is
an embarrassment for everyone involved.
The new Norm Macdonald movie, whichd
yesterday without press screenings, gives stupid, vulgar comedy a bad name.
Macdonald is the put-upon chauffeur-butler for a
rich old skinflint (Elaine Stritch). In an effort to extort ransom from her, he ends up
kidnapping himself (don't ask). DeVito is a morgue worker recruited to provide a dead body
to fake the chauffeur's death.
It is a real chore to sit through and may be some
kind of a first for a comedy. It doesn't have a single honest laugh in it.
Musical comedy veteran Stritch not only has to
endure the indignity of being exposed in her underwear for laughs, she also is shown on
two occasions putting her false teeth in.
Don't waste any hand-wringing on Stritch, though.
She is a tough old broad and will survive.
-- Bob Graham
[ RATING: 4 out of 5 stars ]
Oh man ! I haven't laughed this hard in so long !
Screwed is easily the most laugh out loud, fall out of your seat hilarious comedy I've
seen so far this year. The last time I laughed this much at a movie was when I saw Man On
The Moon, which was written by Scott Alexander and Larry Karaszewski, whose directorial
debut this is. Before the Andy Kaufman biopic, they wrote other fine films about off
colored individuals such as Ed Wood and The People Versus Larry Flynt. These guys really
have a wonderful sense of humor, a way of taking a situation and screwing it up, and then
build and build on it as you howl with laughter ; just think of the scene in which Bela
Lugosi battles a rubber octopus in Ed Wood. Being a fiction film, Screwed doesn't have the
resonance of their biopics, but it truly delivers as far as chuckles go.
Meet Willard Fillmore (Norm MacDonald) who, after
his father's death 15 years ago, took over the old man's job as chauffeur and servant to
Miss Crock (Elaine Stritch), the bitchy head of an obscenely lucrative Pittsburgh pie
factory. She makes him work like a dog, but even her pooch gets better treatment. So once
upon a Christmas, Willard and his chicken frying buddy Rusty (Dave Chappelle) concoct a
plan to kidnap said pooch and ask the old bag a million dollars to get it back. These guys
being dopes, the whole affair screws up royally, the dog escapes and when Miss Crook reads
the ransom note, she thinks it's Willard who was abducted ! This is pretty much what
you've seen in the TV ads : a whacked out encore of the dog bashing scene in There's
Something About Mary. But that's early in the film, before it really picks up gear.
Afterwards, things keep getting more and more screwed, as the idiotic duo actually hire a
creepy Hawaii 5-0 fanatic who works in a morgue (Danny De Vito) to find them a corpse to
pass as Willard and... I don't want to give away all the twists but believe me, it's funny
!
Besides Alexander and Karaszewski's laugh-packed
script and dynamic direction, it's the performances that make the movie ignite. I'm a huge
fan of Montreal-born Norm MacDonald, whom I've long called the Funniest Man Alive. I loved
his antics on Saturday Night Live (especially when he helmed Weekend Update), and I always
watch ABC's Norm, one of the best sitcoms on TV. He played bit parts in movies like Billy
Madison and Dr Dolittle before he finally got a starring role in 1998's Dirty Work. I
thought he was good in it but, as directed by Bob Saget (yes, Bob Saget), the film was
so-so at best. Needless to say that I'm thrilled that he finally gets to shine on the big
screen (even though I doubt a lot of people will bother to see the film). Norm's (dim)
wits are matched by his partner-in-crime Dave Chappelle, a talented comedian best known
for his hysterical starring role in the cult pothead comedy Half Baked. These two - and De
Vito - are hilarious, and so's the movie. Give it a chance, you're not gonna regret it.
-- Norm K
[ RATING: 0.5 out of 4 stars ]
The writing team of Scott Alexander and Larry Karaszewski has penned three of the
best movies of the '90s--"Man on the Moon," "The People vs. Larry
Flynt" and "Ed Wood". Norm Macdonald has a well-defined and popular persona
of an amoral and irreverent but likable schemer. So how come they couldn't come up with
something better than this road kill of a movie?
And there's more. How did they manage to involve
class acts like Danny DeVito, Elaine Stritch and Daniel Benzali in their folly? Surely
there can't be that many incriminating photos out there.
Macdonald, straying far from his character comfort
zone, plays the put-upon butler of a witchy tycoon. The hired hand is treated like a dog,
or rather much worse than his mistress' pampered pooch. The Norm we know and love from
movies ("Dirty Work") and TV (ABC's "Norm") would have told his
employer where to stick her job, but then there would have been no
"Screwed"--which would have been best for all concerned. Instead, there's a
pathetic plot about kidnapping the dog for ransom, which veers off in convoluted and
totally pointless directions. There is one brief promise of salvation with the
introduction of Danny DeVito's creepy character--a morgue attendant with an impressive
collection of things found inside corpses. Think Louis DePalma meets Frankenstein. But
he's not given the opportunity to go anywhere with it.
The real tragedy is that there are no
laughs--nothing remotely amusing. The closest it gets is naming the characters almost
after presidents. There's Willard Fillmore, Grover Cleaver and Rusty B. Hayes. And the cop
is called--wait for it--Tom Dewey. It might not be exactly side-splitting to suggest that
audiences forking over their money expecting to be entertained are getting exactly what
the title promises. But it would be funnier than the film.
-- Mike Kerrigan
Not Exactly the Farrellys
[ RATING: 0.5 out of 4 stars ]
Milos, baby, where are you?
Scott Alexander and Larry Karaszewski, the
Oscar-nominated scribes who authored screenplays for Milos Forman's last two films, The
People Vs. Larry Flynt and Man On the Moon, have been left to their own devices
on Screwed. Chances are extremely good their directorial debut won't inspire quite
as much interest as Forman's A-list assignments.
A black comedy that never gets black enough to
inspire Farrelly-style decadence (despite a sick-joke sequence involving an attack by a
small dog, an obvious lift from There's Something About Mary), Screwed
concerns a faked kidnapping engineered by a sad sack butler named Willard Fillmore (Norm
Macdonald) and his best friend, Rusty Hayes (Dave Chappelle), a greasy spoon proprietor.
(The pointlessly distracting references to
forgettable American presidents doesn't end with their names. Danny DeVito, producer and
co-star of Man On the Moon, throws a bone to the novice directors by appearing as a
brain-scrambled morgue attendant, Grover Cleaver.)
In any case, the fates of these clowns become
intertwined when Willard, out of exasperation with his miserly employer, a filthy-rich
pastry industrialist named Crock (Elaine Stritch), attempts to kidnap Crock's yappy mutt
with the aid of Rusty. The dog escapes, and police are led to believe it's Willard who is
being held for an enormous ransom.
Crock balks about paying while Willard and Rusty
enlist Grover to deliver a corpse that could convincingly pass for Willard. The culprits
plan to run off with the money and let officials believe the unfortunate butler is dead;
alas, everything goes awry, but the movie never gets particularly funny. Luckily for
Alexander and Karaszewski, Chappelle, Stritch, DeVito, and supporting players Sherman
Helmsley and Daniel Benzali are complete pros, salvaging some of the proceedings from the
surprising ordinariness of the script.
As for Macdonald, the guy deservedly made a name
for himself on Saturday Night Live mocking mediocrities such as this film. His
crafty sense of timing here with a line allows him to nail a couple pieces of dialogue
with an irony so subtle it leaves no fingerprints. But for the most part, he's so
uninvolved as a performer of someone else's material -- such a company man instead of a
standout -- that his presence is negligible.
As for Alexander and Karaszewski, what gives? Isn't
the point of climbing the Hollywood food chain to acquire enough clout to make the movies
you want to make? If this is how they want to squander a hard-earned opportunity, they
should keep their day jobs.
-- Tom Keogh
Can this be worse than
Battlefield Earth?
[ RATING: Negative ]
The makers of Screwed are not proud parents.
Sheepishly, they held on to the film for two years after completion, then left it on the
doorstep of movie theatres without a press screening -- the birth announcement of the film
industry -- hoping no one would notice what an ugly baby they had made. They were right to
spare us.
Screwed is a very, very bad movie, the kind of film
that generates only mortified silences at the places it should generate laughs. It has all
the gross-out earmarks of a Farrelly Brothers film, with none of the payoff. Unless
someone is sitting next to you whispering headlines from The Onion in your ear, you will
not laugh more than twice.
Scott Alexander and Larry Karaszewski, best known
for writing stylish biopics like Ed Wood and The People vs. Larry Flynt, get behind the
camera for the first time, co-directing their script. The premise is faux-Thirties
screwball, and utterly non-sensical: Norm MacDonald plays a threadbare butler named
Willard, indentured servant to Miss Crock (Elaine Stritch), a tyrannical baked goods maven
with a Sara Lee image. She makes Willard sleep in the doghouse when he misbehaves, a
disturbing image that's begs the question: Why doesn't he just quit?
Perhaps Willard is supposed to be stupid, a la
Steve Martin in The Jerk. MacDonald is exactly wrong for a dumb naif role: His eyebrow
wiggling shtick revolves around being the smartest ass in the room. MacDonald is no dummy,
and since he's essentially playing himself here -- as evidenced by the sporadic use of his
trademark word "whore" -- it's hard to believe he wouldn't just sass off Miss
Crock with a whore or two and walk away.
Instead, with his sidekick, a chicken shack
proprietor played by David Chappelle (who could do better), he kidnaps her dog for a
$1-million ransom. This provides some of that dog humour that wasn't even cutting edge two
years ago in There's Something About Mary: The dog attaches itself to MacDonald's hand and
he spins around, blood flying everywhere. Everything that's gross in Screwed is just a
little too gross to laugh at.
After the two bungle the dognapping, the public and
the police believe Willard himself has been kidnapped, so the incompetents have to find a
dead body to take his place. Enter Danny DeVito, as a green-coloured mortician. He holds
up a pair of dice and says: "I just dug these out of a guy's colon." With a joke
like that, you throw it and get the hell out, praying for the best. No such luck. The dice
joke is followed by an endless scene cataloguing other items recently dislodged from the
bowels of cadavers. Endless. I felt nauseous, and I liked Caligula.
This cheap-looking film -- snowy in one scene,
summer in the next -- humiliates everyone involved: dogs, older women (accomplished stage
actress Stritch is the butt of several mean-spirited jokes about her body), the actors who
somehow landed in it. Screwed is a baby that should have been thrown out with the
bathwater.
-- Katrina Onstad
[ RATING: Negative ]
Scott Alexander and Larry Karaszewski are best
known for their inventive scripts for such bizarre biopics as Ed Wood, Man on the Moon
and The People Vs. Larry Flynt. So the chances are good that they'll be able to
brush off their current calamity Screwed, which marks their inauspicious
directorial debuts as they guide their own terrible original script.
Strained even by derivative screwball-comedy
standards, it stars Norm Macdonald (who still can't act) as underpaid manservant Willard
Fillmore, who toils for a Cratchit-like employer named Miss Crock (Elaine Stritch), a
Pittsburgh pastry-industry magnate. With the help of greasy-spoon worker Rusty P. Hayes
(Dave Chappelle), the pair hatch a plot involving the dognapping of Crock's beloved cur.
Things go awry, however, as Crock mistakenly thinks Fillmore has been kidnapped instead, a
turn of events that allows the guys to ask Crock for a $5 million ransom demand. But when
they enlist warped coroner Grover Cleaver (Danny DeVito) for some corpse-related chicanery
to ensure their payday, the new partner's seedy demeanor ends up creating more headaches.
With Alexander and Karaszewski believing that funny
names based on dead presidents is supposed to generate hilarity, you get a rough idea of
this lowbrow laugher's intentions. And for a film that thinks it's brimming with
outrageous shock value, led by the burned-in-your-retina image of Stritch in her
undergarments, Screwed is actually a pretty mild moron movie that even stoops to a
doggie-doo gag pilfered from John Waters' Pink Flamingos. At least Stritch has a
high old time with her scene-chewing matron, while Daniel Benzali, as the requisite nosy
dick, seems to be spoofing his overtly intense performance from his old TV series Murder
One; Benzali's slooooow line readings probably add five more minutes to this bowwow's
brief running time.
-- Bill DeLapp
Hard To Nail Down The Worst
Thing About 'Screwed'
[ RATING: 1 out of 4 stars ]
SCREWED" is the title of a new comedy
that sneaked into theaters yesterday without advance screenings for critics, and screwed
is how you'll feel if you pay good money to see this unfunny flick.
It stars Norm MacDonald as Willard, a chauffeur so
mild-mannered he doesn't protest when his super-bitch boss Miss Crock (Elaine Stritch)
forces him to scrub her dentures - and her toilets.
Miss Crock, who owns a huge baked-goods factory and
is known in public as a sweet old lady, dotes on her mean-tempered lapdog and her
boyfriend Chip (Sherman Hemsley).
She's the kind of battle-ax who parades around in
front of Willard in her girdle and laughs at him when he asks for a new uniform for
Christmas.
Fed up with years of mistreatment, Willard and his
pal Rusty (Dave Chappelle) come up with a scheme to kidnap her dog and ransom him for $1
million.
In a slapstick scene that borrows heavily from
"There's Something About Mary," but lacks any real laughs, they manage to botch
the kidnapping, but leave the house in such chaos that Miss Crock thinks Willard has been
abducted.
While this might not be a terrible premise for a
comedy, the actors go through their paces as if they're sleepwalking. Daniel Benzali
barely registers as a bumbling detective.
But the real disappointment is Danny DeVito as a
creepy coroner.
His scenes in the morgue, which involve licking
items removed from corpses' colons, are so inept and witless it's hard not to spend the
rest of the movie wondering why he agreed to participate in this mess.
If you want to see a truly funny movie about a
botched kidnapping, go rent the Coen brothers' "The Big Lebowski," but skip
"Screwed," which will be coming soon to a video store near you.
-- Hannah Brown
'Screwed' graduates with the
crass of 2000
[ RATING: 0 out of 5 stars ]
While Danny DeVito is earning some of the best
reviews of his career for ``The Big Kahuna,'' which Friday in the Twin Cities, he's
also starring in ``Screwed,'' which arrived over the weekend with no advance press
screenings.
No wonder. Also no wonder that ``Screwed'' has been
on the shelf for more than a year. Why release it at all? The word ``crass'' does not
begin to describe this laughless black comedy, which surely merits a place on every
critic's 10-worst list come December.
DeVito plays a morbid mortician who gets involved
in an attempted dognapping, planned by a frustrated chauffeur (Norm Macdonald) and his
best friend (Dave Chappelle). Elaine Stritch is the chauffeur's nasty boss, Mrs. Crock,
whose prized pooch is the intended ransom victim.
A ``Crock Crisis'' logo appears on television as
reporters try to keep track of who's really been kidnapped, whether the $5 million ransom
will be paid, who did the kidnapping and whether Macdonald will ever get that new uniform
he wants from stingy Mrs. Crock.
``Screwed'' marks the directing debut of Scott
Alexander and Larry Karaszewski, the screenwriting team who wrote the smart biographical
scripts for ``Ed Wood'' and ``Man on the Moon,'' and won a Golden Globe for writing ``The
People vs. Larry Flynt.''
The real Ed Wood's ``Glen or Glenda'' turns up on
television during the course of ``Screwed''; if it's an homage, it's an awfully lame one.
Ditto for a scene in which the mistreatment of Mrs. Crock's dog threatens to require a
lawsuit from the makers of ``There's Something About Mary.''
Alexander and Karaszewski also wrote ``Problem
Child,'' ``Problem Child 2'' and Disney's wretched remake of ``That Darn Cat.'' Put this
one down in that column.
-- John Hartl
[ RATING: Negative ]
"Sweet Jesus, we kidnapped a turd!"
exclaims David Chappelle's aptly named Rusty in this Norm Macdonald farce, and the
audience can certainly smell it. The turd in question is the product of the lap dog that
the dimwitted butler/chauffeur Willard Fillmore, played by Macdonald, and his pal Rusty
try to kidnap, in order to exact ransom and revenge for Willard's years of mistreatment by
his crotchety employer, pastry tycoon Miss Crock (Elaine Stritch). The dog escapes,
confusion reigns, and Mrs. Crock thinks it's Willard who's been abducted. The turd also
sums up the film itself.
What was the last time we saw something truly funny
on the big screen from a Saturday Night Live alum? Macdonald would seem to have
film potential as the slightly-less-smug version of himself that he always plays, but here
he gives a performance that defines "washed-up Canadian comic." Blame the
writers. Taking their first turn in the directorial chair, screenwriters Scott Alexander
and Larry Karaszewski (the team behind Ed Wood, The People Vs. Larry Flynt,
and Man on the Moon) choose to fumble with an under-utilized cast (Danny DeVito,
Daniel Benzali, Sarah Silverman) and a plot with holes so big you could drive a garbage
truck through it. The end result is a weak Farrelly brothers ripoff with none of their wit
or flair. The only people getting screwed here are the ones shelling out eight bucks to
see this stinker.
-- Scott Kathan
[ RATING: 1 out of 4 stars ]
If
there is any doubt that bad things can happen to good people, one need look no further
than the appropriately named "Screwed."
"Screwed" marks the directorial debut of
the successful writing team of Scott Alexander and Larry Karaszewski, who have won
deserved accolades for such fresh and clever scripts as "Ed Wood" and "The
People vs. Larry Flynt."
They also wrote "Screwed," but without
knowing the story behind the story, my guess is that it is something the duo sketched out
on legal pads during a drunken weekend back when they were film school classmates at the
University of Southern California.
The press notes claim that "Screwed" is a
homage to those plot-driven screwball comedies of the 1930s, many of them starring W.C.
Fields. If so, this film was not recut prior to its release, but also chopped, filleted
and minced.
The film stars the suddenly tedious Norm Macdonald
as Willard Fillmore (just one of the character names that play on presidential monikers),
the hard-working but unappreciated manservant for wealthy cookie mogul Miss Crock
(Broadway actress Elaine Stritch). Furious that his cruel boss won't even buy him a new
uniform to wear at work, Willard plots with his chicken-shack buddy, Rusty P. Hayes (Dave
Chappelle), to kidnap Crock's beloved dog and hold him for a million-dollar ransom.
But things go awry, leading everyone involved,
including police detective Tom Dewey (Daniel Benzali), to think that Willard is the one
who has been snatched.
From this point on, all bets are off, as money
exchanges hands with dull regularity.
Things start to look promising when the scattered
plot leads us to city morgue attendant Grover Cleaver (Danny DeVito, looking a lot like he
did as the Penguin), but it soon becomes evident that DeVito is pretty much slumming here,
as if playing the role as part of a college fraternity prank.
By the end of the film, as we are forced to watch
Sherman Hemsley of "The Jeffersons" prance around in his skivvies while taking a
hot bath with his Scandinavian business partners, it's just a matter of holding your nose
until the whole thing is over.
-- John Petrakis
[ RATING: F ]
Scott Alexander and Larry Karaszewski want to take
their medicine. They're
the screenwriting duo who penned ''Ed Wood,'' ''The People vs. Larry Flynt,''
and ''Man on the Moon'' -- marvelously original ironic biopics in which the
lower the hero falls in the world's eyes, the higher he rises in ours. Each
of these movies was heady, audacious, and a box office dud. Combined, they
grossed less money -- $5.9 million, $20 million, and $35 million,
respectively -- than ''Deuce Bigalow'' or ''Blue Streak'' alone. And so
Alexander and Karaszewski are trying to reassert their value. In their first
outing as writer-directors, they've made a black-comic farce called Screwed,
and it's a shrill, stupid, brickbat-blatant piece of hackwork that
practically sweats to be ''commercial.''
The film stars Norm Macdonald, who, even when he's being interviewed, comes off like a
zombie impersonating a game-show host; when he attempts to act, he's even stiffer. He
plays Willard, manservant to Miss Crock (Elaine
Stritch), a sadistic biddy who treats him worse than her dog. Instead of
quitting, he comes up with a convoluted scheme to kidnap the pooch, and then
himself. He and his partner (Dave Chappelle) enlist the aid of an undertaker
played by Danny DeVito, who, beneath a Musketeer beard and comb-over fright wig, looks and
sounds exactly like Danny DeVito.
There are poo-poo jokes, dental-plate jokes, moldy-corpse jokes, Jack Lord
jokes, and ''old lady getting dragged down the stairs'' jokes. With any other
filmmakers, I would have called this cynicism. In the case of Alexander and
Karaszewski, it's more like masochism: They appear to be locking themselves
in the screenwriters' doghouse and reveling in their worst notions of what
they think Hollywood wants. Good Scott! Good Larry! Now, please, go back to doing what you
do so well.
-- Owen Gleiberman

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